Skip to main content

Oboe Reed Boot Camp: Your Official Invitation

Calling all oboe students, teachers, and parents!


Is anyone else frustrated with reed-making?  It seems as though there is never enough time during oboe lessons to really get a handle on this difficult skill, and during the busy season it's hard to make time to practice it, too.  In some ways, the fact that I make so many reeds every week is a negative, because my students can come to rely on my big case which is always full. I find that I enable students to not make reeds.

Having good reed skills is a tremendous advantage to a student, though.  At college, or out in the world, or even over the summer when lessons are out, it is liberating to know that you can take care of your own needs without having to rely on your teacher's physical presence.  When you arrive at your concert and the weather suddenly changes or a flute player crushes your best reed, it is invaluable to have the skills to pull something else out of your case and adjust it to your comfort level.

This summer I will once again run my Oboe Reed Boot Camp.  I want to assemble a group - beginners as well as competent or nearly competent reedmakers - and really take the time to start off right.  We will do a full fifteen hours of reed drills, games, and competitions, and have everyone turning out playable reeds by the end.

Sometimes you may hesitate to scrape because you dread ruining an expensive piece of cane -  I will supply all of the cane, thread, and staples, to maximize your courage.

I am offering two sessions this summer - Monday through Friday July 22-26 from 10am-1pm,  and ALSO Saturday and Sunday the 27th and 28th, from 10-6.  Both sessions will take place in South Bend.   Further information and open registration are available at jennetingle.com.    I am also offering an early registration discount from now until June 1.

I encourage you to let your colleagues, students, teachers, and friends know of this opportunity, and to contact me with any questions.

Comments

  1. Hahaha, I guess every oboe player has to learn the skill of using the knife in case a nearby player whacks them with their flute...err crushes their fav. reed. LOL. Sounds fascinating. I almost wish flutes needed reeds so that I can come to your class.

    ReplyDelete

Post a Comment

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...

On the generosity of Instagram practice accounts

Classical musicians are trained to make it perfect. To make all the notes correct, to make it sound like the CD, to do it the way everyone else has done it. The only way to shine is to be BETTER - which means cleaner, more in tune, more perfect. We DO NOT SHIP until it’s perfect, which is why so many people struggle with performance anxiety and stage fright. Live is scary because you can’t control how perfect it is. But here’s what the kids are doing, over on Instagram. They are making “practice accounts” and sharing their work in progress. They are sharing snippets of pieces, little technical etudes, minute-long snatches of what is happening. They are sharing the messy middle. The first magic in this is that the process of recording yourself, listening to what you’re doing, making judgements for yourself about what is good ENOUGH to share, trying again to make the snippet REPRESENT where you are in the journey - that PROCESS is making you better. The second magic is that seeing your ...