ProneOboe

My Five Minute Reedmaker Season Two seems to be largely about experiments.  People ask me how LONG, how THICK, how SLOPED, etc - and I'm running the experiments for them and for you. I've been posting these videos on YouTube, and sharing them from my Facebook Page, but haven't totally kept up with sharing here on my blog. Here are the ones you may have missed: Length of the Heart Fallacy of the Long Tip Moldy Cane And here's the new one: Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until I run out of ideas this season. Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learning pleasure!

OMG the Five Minute Reedmaker is Back! Here’s what I’ve been up to:  I have a few videos ready to drop - I think I’ll put them out on Fridays.  I don’t know if Season Two can take us all the way to the end of the year, as Season One did before.  There may not be that many more topics to consider.  But I love you guys so I’ll try. The playlist is still up on Youtube , but I’ve ALSO curated Season One onto my own website .  I never can figure out the best way to organize things in a Youtube playlist and this way you can see all of the videos really easily on one screen.  I think this will be helpful.  Perhaps you will let me know if you like it. Now onto today's video... I say this all the time - DON’T choose a reed for its tone.  DON’T keep scraping for sound, scrape for function.  Get the reed to work.  The sound will follow.  But the sound is not UNIMPORTANT, right?  Tyler wrote to me:  Your videos are great...

In my new mini-series on tools, I guess I'm working my way through the relatively straightforward ones first - while I build up my courage to tackle knives and shapers, which EVERYONE has strong opinions about. In this episode I tackle the truism that all of your tubes must fit your mandrel (MUST? Really?  REALLY?), I show the distinctions between a few different styles of mandrel, and I offer a cheat so English horn reedmakers can save themselves a little $$. Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until the end of the year. Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learning pleasure!

I thought, sort of, that I had said everything that could possibly be said about making oboe reeds.  Had done all the deep dives there were.  I posted TWENTY-SEVEN videos between August and New Years, and loved doing it, but I was done.  I thought. But then people kept asking questions!  There are MORE questions to answer!  I love it.  This one, from Caroline, felt particularly fertile for me:  Hello, I absolutely love your videos, thank you so much for doing them. I was wondering if you could make a video explaining all of the reed making tools and how they differ. Different knife shapes, different plaques etc... and what they would be good for. So I'm working on a new series for you. Analysis of the different things I have on my reed desk, the different tools, the different shapes and functions of them. Today: The Plaque Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe r...

Commercially made reeds - those profiled-cane, shinily-wound Jones and Lesher and Emerald Reeds - have their place. They are designed for beginners, or for young players, or for players that don’t have reed-making skills of their own or a private teacher where they live.  And there are thousands of people who fall into that category.  These reeds are designed to be relatively affordable, and they are designed to WORK, immediately out of the box. But they are not meant to sound GREAT, and they are not 100% conistent, and they are certainly not meant for an advancing player to make beautiful, nuanced music on.  The ideal answer is to make your own reeds, or work with a good teacher who can help you by supplying reeds at the appropriate strength or by working on what you have - but there are plenty of scenarios in which you might find yourself holding a store-bought reed AND possessing high oboe standards, and wanting to make the one thing match the other.  Maybe yo...

After you get to the point where your reed has structure, symmetry, and balance, and you still don’t quite like it, what then?  What can you do to fix problems like Too Hard, Too Easy, Too Sharp, and Too Flat?  The Five Minute Reedmaker offers tips and tricks.  (My favorite ones are at the end!) Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until the end of the year. Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learning pleasure!

A student asked me as we were making reeds together whether I use a U or a W scrape.  I didn’t immediately know the answer, so I quickly ran the experiment and discovered that it makes a BIG difference! Today I’m going to talk about this distinction - which was not one I’d given any thought to before it solved my own problem this past month. UPDATE: I was asked for a quick video demonstrating this technique more thoroughly, and it is  HERE .  Thanks for the request, Sameer! Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until the end of the year. Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learning pleasure!

If you live in a place with seasons, you will notice dramatic changes in your reeds a couple of times a year.  (I'm sure I write about this twice a year, EVERY year - but I found one post  HERE  for sure) Changes that require some fundamental reworking.  I find that I struggle with these every year, but when I got a request from Dean to make this video I got my act together and came up with some strategies that may help you - and ME - in future seasonal shifts. Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until the end of the year. Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learning pleasure!

I'm getting close to the end of this project.  It's been really fun, and I will keep making these videos as ideas occur to me or as people ask questions or send me reeds to analyze - but the end of this year is the end of my weekly publishing schedule.  Thanks for all the support and feedback along the way! In this episode:   What is the heart? How thick is it really?   What happens when it’s too thin?   What happens when it’s too thick?   How can you tell if your problem is in the heart or elsewhere?   Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until the end of the year. Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your le...

I’m responding today to a note from Jonathan about stability. Stability in an oboe reed is a big concept, and varies greatly from person to person and style to style.  I have some ideas, though, and share them cheerfully. In this episode: What is stability? Where does it come from? How much of it do you want? What do you do when your reed is TOO stable? Too flexible? Click HERE for the video, if you don't see it below. Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until I run out of things to talk about.  Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learning pleasure!

In this episode: How to use your oboe mandrel to wind an English horn reed Measurements and structures of an English horn reed How and why to put wire on How and why to put the little tube on the end Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until I run out of things to talk about.  Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learning pleasure!

Once your rough-scraped reed crows, WHAT THEN? How do you take a reed from beeping to playable?  How do you balance it?  The Five Minute Reedmaker helps, with this basic framework: opening and response structure symmetry balance Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until I run out of things to talk about.  Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learning pleasure!

This week's video is about my sorting process: How I organize my reeds to be Medium, Medium Hard and Medium Soft What those designations mean to me How I work on a reed to change its level of resistance What areas of a reed you might work in to make these changes for yourself   How to make your reed easier - and how to trick it into being more resistant again Featuring: More Sharpie Drawings! Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until I run out of things to talk about.  Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learning pleasure!

My friend Muhammad wrote: Dear Jennet, I'm very interested in knowing how you shape your cane. Some people shape the the top of the ears of the tip and some to the right snug to the bottom. Would you do a video about it explaining why you do what you do in that process? So - I was asked to talk about the technique of shaping, which initially surprised me a little.  Shaping oboe cane by hand seems like a simple matter - it's a straightforward task that I don't give a lot of thought to as I'm doing it.  But then, the same day, I saw this clear and helpful video by Jonathan Marzluf and realized how many details in this process we do differently, and I understood how people could be confused. I would like to be clear that I am not contradicting Mr. Marzluf's methods. They are great, and smart, and clearly work for him!  I have my own way of doing this and I’m happy to show you here - because seeing alternatives is important, and helps you to make the choice that’...

Last month I was in a Reeding Circle with two of my regular attendees.  It was an exciting event because BOTH of them had major reed breakthroughs and made multiple really good reeds in a row, just as we sat there together!  Secondly, it was interesting because BOTH of them had the exact same problem in their very different reeds - they hadn’t taken enough out of the windows. In today's Five Minute Reedmaker video, I discuss this undersung area of the oboe reed.  I show how to use it, how to scrape it, and WHY.  Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until I run out of things to talk about.  Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learn...

Clipping an oboe reed is such a tiny task, and you might do it dozens of times as you construct and polish each reed.  Are you doing it safely? Do you know the trick to neatly undercutting the lower blade?  Or WHY you would want to do so?  The Five Minute Reedmaker can help. Here's my previous illustrated blog post about that undercutting process. Here's the YouTube playlist with all of my other Five Minute Reedmaker videos.   You could subscribe right there if you wanted to - I'm dropping a video each week until I run out of things to talk about.  Here's my website, where you can order reeds or cane or ask me questions.   Questions will keep these videos flowing!  Here's how you can send me your own reeds to analyze and improve on video for your learning pleasure!

Yes, I can make a reed in five minutes.  And I can play it.  But this is not my ideal way to work - the cane needs time to settle between soakings, and I find that my stability and longevity improve dramatically when I take MORE time rather than less to get to my finished product.  What I actually tend to do is work batches of cane - from pre-gouged to blank, to rough-scraped, to finished, and to polished - over the course of several days. In an email, Beth asked: I’d like to hear your ideas about quality control during each step of the process, from cane selection to final scraping.  What would cause you to discard a piece of cane, or a blank, or scraped reed? Her question seemed to go along beautifully with this video, already in the planning stages, so I've covered quality control along with my Four-Day, Under-Five-Minutes-A-Day, step-by-step Batch Processing video. These Five Minute Reedmaker lessons post once a week on Youtube.  You can subscr...

This week I am releasing TWO videos.  They go together, but I couldn't bring myself to combine them - it's ridiculous for the FIVE MINUTE Reedmaker to appear to take TWELVE minutes on a single concept, however important. Hence, two videos. The very tip of the reed is the most crucial area, and the easiest thing to ruin as you scrape.  It is by far the thinnest section of the reed, so it's terribly sensitive to errors - a micron's worth of thickness in the wrong place, or a single grain unnecessarily removed on the side can wreck the whole thing. In this first video I draw and discuss the various dimensions I consider as I create the tip and transition. In this second video I demonstrate four different methods of GETTING to that good transition and tip.  Four different knife techniques, in ascending levels of difficulty and danger. These Five Minute Reedmaker lessons post once a week on Youtube.  You can subscribe to me there, or keep watching this space...

What can you learn from your reed before you even put it in the oboe?  We have two great tools - the beep and the crow. There's a lot of confusion out there, though, about these diagnostic tools.  A case in point is an email I received recently: Josue wrote: Every time I read about crowing the reed in books, or talk about it with teachers and colleagues, they say the reed must crow a pitch of C. However, I notice some of my reeds that crow on C are actually flat in intonation. I notice also that the beeping of those reeds (when you put the reed as if you were actually playing) is flat too.  And in the other way, some of the reeds that beep in C are actually crowing in C#. Is this difference in pitch between beeping and crowing normal? Should the beeping and crowing have the same pitch? Or which one is more important to obtain a good intonation? Should I keep the C pitch in the beeping or in the crowing? What's he even talking about?  The Five Minute Reedmaker ex...

I had a request for this next video topic: Anish wrote: Hi Jennet! :) I was wondering if you could do a video sometime on your preliminary processes with cane- you seem to get a reed vibrating beautifully very quickly from the get-go and I am curious as to what you look for when selecting cane and what you gouged to etc before you even tie the reed. Maybe I'm the wrong person to answer these questions - I am NOT fussy about cane.  I did a project a long time ago for a colleague, in which I worked through multiple pieces of cane from dozens of different batches she'd purchased long ago, trying to determine which bags of cane were worth keeping and which should be discarded. What I learned is that EVERYTHING makes a reed. Sometimes I have to work a little harder,  if the cane is reluctant to vibrate. Sometimes the diameter doesn't suit me well, and I have to mash the opening down.  On rare occasions, it's true that the cane is too wormy or too shreddy to be scrapabl...