I recently met with a former student who proudly described THE reed she was working on to me. She’d gotten it to a point where it made a beep, but it didn’t really play on the oboe yet, but it HADN'T CRACKED! I celebrated with her - but I limited my glee. One slightly successful reed - in the past month - is a good start. It’s further than she had gotten before. But that is no way to be abundant. If it takes you a month to sort of make one reed, where’s the incentive to even start? No one has that kind of time, and you can’t make your living on one reed a month even if it’s a perfect reed. More to the point - the learning curve at that rate is basically a flat line. Reedmaking is an art as well as a craft. I can teach someone to construct a reed in a single session, and we can get to a beeping reed in that time. But the next part? The part where you finish it to your comfort and then go out in public and play on it? The part where you analyze what you don’t lik