Skip to main content

Upcoming Concert

I am excited about this weekend's concert for several reasons.

One, I can't wait to see my colleagues in the South Bend Symphony again. I missed the first subscription concert because of my big Illinois tour and concerto, so this will be my first real work of the season with this orchestra.

Two, it turns out that Dvorak's Czech Suite is better than I remember from the last time I played it, which must have been in college. Just folk tunes, yes, but put together beautifully, and there's lots of good woodwind work in there. I've been listening to it for enjoyment as well as for preparation.

Three, I really enjoy working with Kirk Muspratt, our guest conductor. I like how demanding he is and how much quality he asks from the orchestra, and I like that I have to stay on my toes.

Finally, I cannot wait to listen to the Milhaud trombone concerto. I love to hear my colleagues featured, and I have always liked Reed's playing. I'm ecstatic that the orchestra is performing not just a trombone concerto, but a twentieth-century trombone concerto. It is this kind of adventurous and interesting programming that I crave and wish we did more often. I don't miss being in school and in the Civic Orchestra - it's way more fun to be a grownup and a professional - but I certainly do miss the regular exposure to new works hot off the presses. Ok, Milhaud is hardly "hot off the presses" - but the fact that I'm this psyched about an mid 20th century composer says a lot about the conservativeness of our concert season, doesn't it?

Sunday, October 17
3:00 PM
DeBartolo Performing Arts Center
Notre Dame University
Labels:

Comments

Post a Comment

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet
Post a Comment
Read more

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...
2 comments
Read more

Don't Wait For It

 Don’t wait for it. The lowest notes on the oboe are notoriously difficult to play. They don’t want to speak, they MIGHT splatter, they are SLOW to respond, they feel flat. And if your instrument is even slightly out of adjustment, they can be even more resistant - sometimes literally impossible. And some students WAIT for that low note to come before they go on, and THIS disrupts the rhythm, the tempo, the flow of the piece, and the musical line they are trying to create.  It distracts the listeners, it throws the ensemble off.  The pianist has to lurch to catch them, the conductor has to stop and yell.   One missed note, or one note that doesn’t quite speak - THAT doesn’t ruin your communication. But the distraction and disruption for both you and your listener that happens when YOU acknowledge the problem, when YOU make us all wait patiently for the response of a low C - that’s when you lose us. I think every low note has three possibilities within it. 1. It ...
Post a Comment
Read more