Skip to main content

Timelessness

You know how, when you're really engaged in a performance, time slows way down? Every second feels eternal, and your focus is both intensely tight and also broad, and you can react in the moment to the nuances your colleagues throw you, and you have no sense of the passage of time. You emerge at the end of the concert and it could be five minutes since you sat down or four hours.

This is why I do what I do. It doesn't happen every time - sometimes a concert is just work - but when I get there, the intensity of focus that I feel is so invigorating that I can hardly wait do it again. This is why I always perform solos from memory, too - I love how hard I have to concentrate to make it work, and how I can slide into that zone where my intellect is telling me what happens next but also my fingers know, and my whole body, and at the same time I'm aware of the world around me and the piano and my own sound and every note that I'm playing but not of the time that's passing.

The baby has a similar effect on me. I can be playing with her and smooching her amazing little face and eliciting smiles, and then she can poop and I can clean her up and then she can poop again and I can clean her and the changing pad and the outfit she had been wearing, and then I can nurse her, and lay her down and make sure she's comfortable and look at her beautiful little sleeping self, and only then notice that and hour and a half have gone by and my oboe is still sitting unswabbed on the chair where I left it when she summoned me, and the cane I had wanted to soak for 20 minutes is limp and lifeless at the bottom of the bowl, and the bed still isn't made and the dog is crossing his legs and I have a student coming in RIGHT NOW, and the surprising thing is that I don't mind at all.

Certainly, I would like to get more done and be a little more on top of my game, like I used to be pre-baby - but I kind of love the fact that I am completely in the moment with her. I've always been pretty Type A, and have always maintained a very structured - not to say regimented - schedule. There's something a little bit delightful about being forced off of that. When I'm with Zoe I am not thinking about the 27 things I still have to do, I'm just enjoying her. And the rush I get from just being in the moment is like meditating. Or performing.

Comments

Popular posts from this blog

Knife Sharpening

I've gotten a lot of questions on this topic, and the most recent querent prompted me to make a video to demonstrate.  You can find that  HERE . Knife sharpening seems to strike terror into many hearts.  And it's little wonder.  Many famous oboists have gone on record as saying that a sharp knife is the most important aspect of reed making. People have entire systems of stones and strops and rods set up to sharpen their knives. And it is important, of course it is - but I don't believe that you need your knife to be razor-like, or objectively the sharpest blade of any in your home.  The reed knife has one job - scraping cane off in precision ways - and it has to be sharp enough for that, and sharpened optimally for that purpose.  More than that is overly fussy for my taste. This is not to say that I allow my knife to be dull.  A dull knife forces you to put too much pressure on the reed and can cause cracking. Obviously it can lead to terribly inc...

Zoe's Musical Beginnings

I've mentioned before that I started out on the piano by figuring out melodies.  Connecting notes and trying to learn how they worked.  I'm fascinated to observe that Zoe's initial approach to the instrument is totally different from mine. She sits at our new piano and plays random notes, and tells us what to feel.  If she is playing slowly then the music is sad, and we should cry. When we are "crying" she either gets up and hugs us so we feel better (so awesome!) or bangs faster, to indicate that the music is now happy and we should dance.  Her other piano game is accompanying herself - she plays "chords" in alternating hands while she "sings" the ABC song or Camptown Races or Sesame Street.  She makes us sing along.  She loves it when we clap at the end.  When I was little I wanted to know how music worked. Although I make my living as a performer now, I learned about the interpersonal aspects of music later.  Her immediate interest is in ...

Exciting Upcoming Concerts

The South Bend Symphony has a great concert this weekend that I've been really excited about. If you are in town you should definitely try to attend, as it features Prokofiev's thrilling Symphony no. 5 AND our marvelous concertmistress, Zofia Glashauser, playing the Tchaikovsky Violin Concerto. However, I will not be there. This Friday and Saturday I am playing Strauss's Ein Heldenleben with the Milwaukee Symphony , and loving every single minute. This orchestra sounds spectacular, and here's why. They rehearse. They have plenty of time to really listen to each other and get things right. This morning, our service was a wind sectional, which blew my mind. Almost 2 full hours with only the winds and brass, just on this one 40-minute piece. The conductor worked with us on every detail. Intonation, articulation, ensemble, balance, style. And still we have another full orchestra rehearsal tomorrow as well as the dress. I haven't sat in a winds-only rehearsal...