Skip to main content

Concerts this Weekend

I am so looking forward to this concert. It's been years since I played the Firebird Suite, and months since I've played with my lovely colleagues in the New Philharmonic. And I love Stravinsky and Shostakovich so much. The bleakness and angularity of the harmonies really resonate for me. Come check us out!

New Philharmonic
Friday and Saturday, Oct. 9 and 10, 2009, 8 p.m.
MacIninch Arts Center, College of DuPage
Glen Ellyn, IL

Kirk Muspratt, Music Director and Conductor
"Slavic Strings"

Joshua Roman, cello

Borodin, Overture to Prince Igor
Borodin, Prince Igor: “Polovetsian Dances”
Shostakovich, Cello Concerto No. 1
Stravinsky, L’Oiseau de feu (Firebird Suite)

Named “… a cellist of bold character and poetic grace … a masterful player who brings curiosity and electrical energy to every note” by The Plain Dealer, 25-year-old Joshua Roman blends his youthful energy and polished talent in a performance of Shostakovich’s Cello Concerto. New Philharmonic continues its tour through Eastern Europe with the silken sounds of Borodin’s Russian opera, Prince Igor, and the long, mournful melodies of Stravinsky’s Firebird Suite.

Tickets: $35 adult/33 senior/25 youth

Look HERE for tickets


Comments

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...

Don't Wait For It

 Don’t wait for it. The lowest notes on the oboe are notoriously difficult to play. They don’t want to speak, they MIGHT splatter, they are SLOW to respond, they feel flat. And if your instrument is even slightly out of adjustment, they can be even more resistant - sometimes literally impossible. And some students WAIT for that low note to come before they go on, and THIS disrupts the rhythm, the tempo, the flow of the piece, and the musical line they are trying to create.  It distracts the listeners, it throws the ensemble off.  The pianist has to lurch to catch them, the conductor has to stop and yell.   One missed note, or one note that doesn’t quite speak - THAT doesn’t ruin your communication. But the distraction and disruption for both you and your listener that happens when YOU acknowledge the problem, when YOU make us all wait patiently for the response of a low C - that’s when you lose us. I think every low note has three possibilities within it. 1. It ...