Skip to main content

Practicing What I Preach

Last week was the South Bend Symphony's Dake Academy, a chamber music camp for high school musicians. I love this camp - we get to spend so much quality time with a small number of students and really make a difference in their level in a few short days. But the time commitment for the faculty is huge. We are working 8 to 10 hours a day all week, running masterclasses, coaching chamber music, teaching seminars, rehearsing in our faculty quintet and in the orchestra, and then because I'm a glutton for punishment I also throw a party in the middle of the camp which requires a full evening of cooking and preparation. And of course when I am at home, Zoe is frantic to see me, and won't (and shouldn't) take no for an answer, so there has been no practicing, exercising, or writing. If you've missed me, that's why.

At Dake I gave a woodwind and brass seminar on being a supportive second player. Obviously, this is a complex skill which I greatly oversimplified in teaching a group of high school students, but my message was this: the person playing first is by definition correct. Even if you think they are too sharp, or flat, or too early, or have an ugly sound, your job is to match them. And there is a lot of subtlety to this matching - it is not merely playing in tune, but matching style, articulation, tone color, dynamic, and vibrato.

I had the kids play in front of the group, in pairs, and critique each other. We were able to achieve great matches, even among students with very different skill levels. It was fun to hear such immediate progress as they learned to listen to each other. What I love best about teaching, though, is how much it teaches me.

This weekend I am in Chicago to play Distant Worlds: Music from Final Fantasy. This video game inspired concert is always a HUGE event - I've played it before and while I am not myself a gamer I can't help but be affected by the incredible enthusiasm of the audiences. The performances are really going to be fun, in other words.

I am playing second oboe and English horn, and enjoying myself enormously. The principal oboist is a wonderful player, and although I've often admired his playing I have not worked with him often. Sitting up close, I am fascinated by how differently he approaches the job, and since I've just recently reminded myself how important MATCHING is, I feel that I have the permission - nay, the obligation - to imitate precisely what he is doing. I am trying consciously to match his tone color and vibrato speed, even when there are little second oboe solos in my part. After all, it is his oboe color that should be audible in the orchestra. And I am learning so much from doing that!

I play principal most of the time, and so I mostly just play the way I play. I try to be interesting, and I'm constantly trying to improve my playing, but it pretty much always sounds like me. Anything that forces me to be more flexible is good, and pushing myself to play in a slightly different style gives me another option that I can draw on later in my solo or orchestral work. It's satisfying to feel that I'm doing my current job well, and also improving myself for the future.

Comments

  1. Even though the week of Dake maybe crazy and stressful, a BIG thank you for all you do to make Dake happen!

    I thoroughly enjoy coming to Dake!

    ~Cassia :-)

    ReplyDelete
  2. Thanks, Cassia! It's great fun for us, too- I look forward to Dake every year!

    ReplyDelete

Post a Comment

Popular posts from this blog

Knife Sharpening

I've gotten a lot of questions on this topic, and the most recent querent prompted me to make a video to demonstrate.  You can find that  HERE . Knife sharpening seems to strike terror into many hearts.  And it's little wonder.  Many famous oboists have gone on record as saying that a sharp knife is the most important aspect of reed making. People have entire systems of stones and strops and rods set up to sharpen their knives. And it is important, of course it is - but I don't believe that you need your knife to be razor-like, or objectively the sharpest blade of any in your home.  The reed knife has one job - scraping cane off in precision ways - and it has to be sharp enough for that, and sharpened optimally for that purpose.  More than that is overly fussy for my taste. This is not to say that I allow my knife to be dull.  A dull knife forces you to put too much pressure on the reed and can cause cracking. Obviously it can lead to terribly inc...

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...