Skip to main content

She SHOULD be afraid?

We went to a party recently. A baby shower. And although there were other children there, Zoe was clearly the life of the party. She is friendly and delightful, even with strangers, so after a few minutes of assessing the room and the number of grownups in it, she began to work it.

She interacted with people. Looked in their purses, named the things she found. Tossed a ball to them and tried to catch it when they tossed back. Asked for foods and drinks by name and said please (when reminded). Gleefully chased and played with the cats and dog. Followed the older kids around and watched them with total fascination. Cleaned up the paper from the present-opening, and helped to break in some of the more exciting gifts.

And although of course I was always aware of her location, and I checked on her if things got quiet (because a 19-month old in a non-childproofed home could potentially destroy the place in minutes) I was proud that for the most part I could leave her to her own devices. She was entertaining herself (and all of the grownups) and not being a nuisance.

The thing that surprised me happened late in the party. I was standing in the kitchen chatting with grownups while Zoe wrestled with the doggie on the floor near us. I gently extracted her when the dog showed signs of displeasure, and the gentleman I was talking with said, "Boy, she's not afraid of anything, is she?" "Nope," I responded with pride. And he shook his head, and said, "Even the things she should be…" And here he lost me.

Zoe is almost 20 months old. Of course she needs to develop a little bit of caution, about heights and traffic and strange dogs, but I cannot agree that she should fear any of those things. Fear is not a useful emotion, and I just love the fact that she has none. She will approach anyone and greet them happily and openly, and I admire that. Because she is so open and endearing she wins friends and fans everywhere she goes. As a reformed shy person, I can attest to the fact that life is way more fun when you dive into it than when you hide.

I am so happy in my own life that I have begun to DARE to do the things I want to do, but it has taken 37 years of struggle and personal growth to get here. I finally feel confident about myself, my career, my social network. If my daughter can be in this great a place in less time I am all for it. What a wonderful, fearless girl she is. Long may that last.

Comments

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

Beauty of Sound

In our dress rehearsal Saturday afternoon, the conductor did exactly what I often do to my students - he asked the violins to play more beautifully, and they did.  He didn’t tell them how, or give them a flowery expressive speech, he just asked for more beauty of sound, and they immediately gave it to him.  To a great extent the sound we produce is set, based on our equipment and the shape of our mouths and our bodies - but it can be altered, too.  Adjustments in reeds and instruments can go a long way, but the key change we can make is in our own minds. I don’t know how to explain it physically, but if you determine the sound you want to make you can produce it.  Or at least you can lean in and approach it.  This is something I’ve been paying a lot of attention to lately in my own playing.  As I prepare the Saint-SaĆ«ns Sonata to perform on our Oboe Studio Recital (tonight at 7 - details HERE ), my approach is largely about beauty of sound and vibrato....

Breathing and the Brain

I’m working on the Bach E Major Partita, and it’s significantly difficult for me.  Not so much the notes, although E Major is not the most effortless key on the oboe.  Not so much the music-making, although I could work my whole life on solo Bach and never be perfectly satisfied with my choices, because it’s that complex and THAT good.  No, the problem is breathing, and breathing is always a challenging thing for a wind player. Oboists can play long, long phrases with ease. The opening in the reed is so tiny that it really rations the air, so we can play longer lines than any other orchestral wind instrument.  It’s also comparatively easy to circular breathe on the oboe, which means that we can actually take in new air while  playing and maintain an uninterrupted line.  The downside is that an oboist can never fully expel her air through that tiny opening.  We end up with excess carbon dioxide in our lungs, and as we breathe in again the new good air...