Skip to main content

CHROMA stress brain

My stress brain is not my friend. This week is the first performance of my BIG SHOW, Chroma. I've been working on this project for a year, and while I've done plenty of performances this season this one is the big ME event. I self-produce it in three different venues, and here are some things I actually need to do:

Add my event to more community calendars. Do another social network blitz in case anyone anywhere still hasn't heard of this. Put up flyers. Do some final research and write the script for the show. Confirm the projectors and assistants at the venues. Prep my computer for the technical requirements of the video stuff. Work out the transportation plan for myself and my pianist. Play through all of the music every day. Make a good reed.

Here is what I actually spent my spare time on last night and this morning. I got a huge reed shipment out. OK, that was important. I deleted and recreated all of my student schedules in my calendar hoping to fix my iPhone syncing problem. Didn't work, did cost me 35 minutes. I had a brilliant idea for a website tweak and spent 40 minutes on it. Go check - www.jennetingle.com. See how, on three of the pages, the gray area is about 80 pixels wider than the old version? Very important work. Oh yes.

And yet, as I embarked on these microscopic tasks they felt relevant, important, even urgent. That is what I mean. The closer I get to actually realizing this project the less I am able to see the big picture and judge how to spend my time. I only have so much, of course, between the teaching and the baby and the reed business and the rehearsing and performing with orchestras that is my actual career. I really need to stop puttering around on silly details.

Anyway. Here is CHROMA's information once again, and the amazing promo video that I am so proud of. Hope to see some of you there!




CHROMA, an exploration of color and contrast, featuring video elements by Paul Hamilton and Caleb Vinson and music by Rossini, Silvestrini, Pasculli, and Louiguy couples the light and movement of Impressionist painting with the beauty and virtuosity of the solo oboe. I have always been fascinated by the colors of the human voice and hope that you will join me as I celebrate the great opera arias of the 19th and 20th centuries with my own "voice."

Tickets can be purchased at the door or in advance at www.jennetingle.com.

Jennet Ingle and Paul Hamilton in CHROMA

Thursday, March 24, 7:30 pm CDT
Lake View Lutheran Church
835 W Addison, Chicago
$20, $15 students/seniors, $15 in advance

Sunday, March 27, 3:00 pm CDT
Valparaiso University
Duesenberg Recital Hall
Free and open to the public

Saturday, April 2, 2:00 pm EDT
South Bend Christian Reformed Church
1855 N. Hickory, South Bend
$15, $10 students/seniors, $10 in advance

Comments

Popular posts from this blog

Knife Sharpening

I've gotten a lot of questions on this topic, and the most recent querent prompted me to make a video to demonstrate.  You can find that  HERE . Knife sharpening seems to strike terror into many hearts.  And it's little wonder.  Many famous oboists have gone on record as saying that a sharp knife is the most important aspect of reed making. People have entire systems of stones and strops and rods set up to sharpen their knives. And it is important, of course it is - but I don't believe that you need your knife to be razor-like, or objectively the sharpest blade of any in your home.  The reed knife has one job - scraping cane off in precision ways - and it has to be sharp enough for that, and sharpened optimally for that purpose.  More than that is overly fussy for my taste. This is not to say that I allow my knife to be dull.  A dull knife forces you to put too much pressure on the reed and can cause cracking. Obviously it can lead to terribly inc...

Zoe's Musical Beginnings

I've mentioned before that I started out on the piano by figuring out melodies.  Connecting notes and trying to learn how they worked.  I'm fascinated to observe that Zoe's initial approach to the instrument is totally different from mine. She sits at our new piano and plays random notes, and tells us what to feel.  If she is playing slowly then the music is sad, and we should cry. When we are "crying" she either gets up and hugs us so we feel better (so awesome!) or bangs faster, to indicate that the music is now happy and we should dance.  Her other piano game is accompanying herself - she plays "chords" in alternating hands while she "sings" the ABC song or Camptown Races or Sesame Street.  She makes us sing along.  She loves it when we clap at the end.  When I was little I wanted to know how music worked. Although I make my living as a performer now, I learned about the interpersonal aspects of music later.  Her immediate interest is in ...

Exciting Upcoming Concerts

The South Bend Symphony has a great concert this weekend that I've been really excited about. If you are in town you should definitely try to attend, as it features Prokofiev's thrilling Symphony no. 5 AND our marvelous concertmistress, Zofia Glashauser, playing the Tchaikovsky Violin Concerto. However, I will not be there. This Friday and Saturday I am playing Strauss's Ein Heldenleben with the Milwaukee Symphony , and loving every single minute. This orchestra sounds spectacular, and here's why. They rehearse. They have plenty of time to really listen to each other and get things right. This morning, our service was a wind sectional, which blew my mind. Almost 2 full hours with only the winds and brass, just on this one 40-minute piece. The conductor worked with us on every detail. Intonation, articulation, ensemble, balance, style. And still we have another full orchestra rehearsal tomorrow as well as the dress. I haven't sat in a winds-only rehearsal...