Skip to main content

Practicing in Public

This weekend I am playing with the Milwaukee Symphony, and the concerts should be amazing. We are playing the whole first act of Wagner's Die Walküre, and that's about all I can say from personal experience at this point. We rehearsed once yesterday- a wind sectional - but both of today's scheduled rehearsals were canceled because of the enormous blizzard. So I won't really have a sense of the whole piece until tomorrow.

Meanwhile, I am staying with friends in Milwaukee and I have a WHOLE DAY OFF to practice, catch up on reeding and writing and reading, and get ready for tomorrow's intense rehearsals.

I did practice for an hour this morning, and was surprised at how self-conscious I was playing the oboe in my friends' house. They are both musicians - terrific ones - and I was very aware of every little flaw in my reeds and in my warmup as I played.

Practicing is private time, and musicians know that what happens in the practice room stays there. It is a time to solve problems by making mistakes, diagnosing them, and fixing them. A time to try various solutions until you find one that works. To experiment with phrasing strategies and new techniques. In fact, good practicing doesn't sound very good. The goal is to practice what you can't play, not what you can, and thereby get better at it.

I know that, and my friends know that. Still, I hated to sound bad while playing in their house. I didn't feel comfortable breaking in my new reeds, and I destroyed a couple trying to scrape perfection in when really I should have just played for a while and adjusted them tomorrow. Attending a conservatory of music trained me to focus on my own work even when other people are practicing around me, but when I was the only one in the house playing I felt very audible.

Obviously, this is in my own head only. No one is paying attention to my practice session, and certainly no one is criticizing. I'm about to return to the oboe, and I am ready to overcome my little alone-in-a-room-stage-fright problem. Back to work!

Comments

Popular posts from this blog

Zoe's Musical Beginnings

I've mentioned before that I started out on the piano by figuring out melodies.  Connecting notes and trying to learn how they worked.  I'm fascinated to observe that Zoe's initial approach to the instrument is totally different from mine. She sits at our new piano and plays random notes, and tells us what to feel.  If she is playing slowly then the music is sad, and we should cry. When we are "crying" she either gets up and hugs us so we feel better (so awesome!) or bangs faster, to indicate that the music is now happy and we should dance.  Her other piano game is accompanying herself - she plays "chords" in alternating hands while she "sings" the ABC song or Camptown Races or Sesame Street.  She makes us sing along.  She loves it when we clap at the end.  When I was little I wanted to know how music worked. Although I make my living as a performer now, I learned about the interpersonal aspects of music later.  Her immediate interest is in ...

Cleaning Your Reeds

Updated: I've posted a video of my plaque cleaning technique HERE ! Oboe reeds are made from organic material, and over time it is inevitable that they will age and change. The first few days of change are usually quite welcome, as you break the reed in by playing and the opening gradually settles down to something you can be comfortable with and the response becomes more and more predictable.  You might even hit a plateau where it appears to be perfectly consistent and reliable for several days! But after that, the reed seems to be on a constant gradually accelerating downslope, until it eventually collapses into a sharp, non-responsive, mushy mess. We can rejuvenate the reed during this time by cleaning it, and can often extend its life as well! There are three good ways to do this. First, least invasively, you can just run some fresh water through and over the reed AFTER you play each time.  Go ahead and rinse that reed in the sink, shake it as dry as possible, a...

Knife Sharpening

I've gotten a lot of questions on this topic, and the most recent querent prompted me to make a video to demonstrate.  You can find that  HERE . Knife sharpening seems to strike terror into many hearts.  And it's little wonder.  Many famous oboists have gone on record as saying that a sharp knife is the most important aspect of reed making. People have entire systems of stones and strops and rods set up to sharpen their knives. And it is important, of course it is - but I don't believe that you need your knife to be razor-like, or objectively the sharpest blade of any in your home.  The reed knife has one job - scraping cane off in precision ways - and it has to be sharp enough for that, and sharpened optimally for that purpose.  More than that is overly fussy for my taste. This is not to say that I allow my knife to be dull.  A dull knife forces you to put too much pressure on the reed and can cause cracking. Obviously it can lead to terribly inc...