Skip to main content

Upcoming Concert - MLK Day Celebration!

The South Bend Symphony's MLK Day concert will be tomorrow night.  As always, my favorite thing about this event is the new music we get to perform.

This year we are featuring a 1991 work by Michael Abels, Global Warming.  I had presumed from the title that the work was about climate change, and I was on board with that message.  But as I worked on my part, it just seemed too chipper and cheery, too folksy and happy for that.  So I did my research.  

Abels is quoted as saying:

"Global Warming was written around the time of the collapse of the Berlin Wall, when the Cold War was ending. Living in Los Angeles, I've been able to learn about music from around the world simply by opening the window; among my neighbors are immigrants from every corner of the world. I was intrigued by the similarities between folk music of divergent cultures, and decided to write a piece that celebrates these common threads as well as the sudden improvement in international relations that was occurring. Since the piece was commissioned for an orchestra in the desert city of Phoenix, AZ, "global warming" was the title that seemed to incorporate all these ideas best."

And how delightful that the message of this piece is actually one of unity, celebration, and optimism! What a wonderful way to honor the memory of Dr. Martin Luther King, Jr, and how timely to offer this message of global unity, given the terrifying reality of our current political situation.  Music SHOULD be something that brings us together, and SHOULD be something that inspires and engages us.

I'm an hour away from our first rehearsal.  Reality has not yet asserted itself - I don't know how the overall arc of the concert will feel, how our guest conductor will be, whether everyone will be prepared with the tricky rhythms and grace notes in the Abels, how the overall presentation will come together - so for now I can revel in my optimism, and my enjoyment of the concept and the plan.

Come on out tomorrow night, and hear how we do!  Details HERE.

Comments

Popular posts from this blog

IDRS 2014 - Day Two and OUT

I'm writing my Day Two report while all of my colleagues and friends, new and old, are well into their Day Three experience.  I was terribly sad to leave NYC, and IDRS.  In past years I've found myself sort of oboe-ed out by the third or fourth day, but I was nowhere near that point last night when I had to begin my schlep to the airport.  On the up side, I am home and spent the morning with Zoe and Steve, and I'm safely on the correct side of Lake Michigan well before my concert tonight, which was the important purpose of my travel plans - but there are SO MANY MORE great events happening at NYU.  Best of luck to everyone performing! Yesterday, among other performances, I enjoyed THREE recitals featuring music for oboe and bassoon.  Be prepared for a husband-wife recital coming down the pike in the next year or two, as I loved much of the new music that I heard.  First I enjoyed hearing ToniMarie Marchioni and two of her colleagues from the University ...

Practice+ App - and my FIRST EVER GIVEAWAY

You know how, when you are practicing, you need to have your metronome on your stand and turn it constantly up and down as you work through a technical passage?  And you also want to play in tune, and make sure you are staying consistent with your pitch.  So while your metronome is clicking away on your stand, you also have to turn half-way around to look at the screen of the big tuner which has to be plugged into the wall because it eats batteries otherwise.  And if you also want to record yourself to listen to your progress, you have to have your laptop on with the big mic plugged into it, and that’s on still another surface, so you have to move your stand around so you can orient to all three, and then your giant stack of music-in-progress falls off the stand and onto the floor and out of order and the next ten minutes are spent not practicing at all but just trying to return to normalcy. Does this sound familiar? I was sent a free promo copy (full disclosure) of an...

Beauty of Sound

In our dress rehearsal Saturday afternoon, the conductor did exactly what I often do to my students - he asked the violins to play more beautifully, and they did.  He didn’t tell them how, or give them a flowery expressive speech, he just asked for more beauty of sound, and they immediately gave it to him.  To a great extent the sound we produce is set, based on our equipment and the shape of our mouths and our bodies - but it can be altered, too.  Adjustments in reeds and instruments can go a long way, but the key change we can make is in our own minds. I don’t know how to explain it physically, but if you determine the sound you want to make you can produce it.  Or at least you can lean in and approach it.  This is something I’ve been paying a lot of attention to lately in my own playing.  As I prepare the Saint-Saëns Sonata to perform on our Oboe Studio Recital (tonight at 7 - details HERE ), my approach is largely about beauty of sound and vibrato....