Skip to main content

Party Planning

Zoe just turned seven and she requested a big party and we threw her one.  Parties are fun.  And there's always more people you can invite - between her friends and our friends, all the brothers and sisters of her friends, people who live in town and people who live out of town - it turned into a big event.

I bought lots of food.  I went to Costco and bought LOTS of snack foods and meats and paper plates and beers.  I planned recipes.  I spent two days prepping marinades, making gallons of potato salad, learning a new crock-pot baked bean recipe, making a gluten free cake.  When I say it, it actually doesn't sound like an unreasonable amount of effort - but new recipes always feel a little harder than the tried and true ones, and cooking for thirty feels more intimidating than cooking for three.  I like to cook. But it was a lot.

So on the day of the party, my sister and brother-in-law came in a little early, and my uncle.  We were chatting, and laughing, and sort of slowly working on getting tables set up, and vaguely planning how the party would flow, and Steve started up the grill, and then suddenly all of the guests arrived.

And from that point on I was running. The hot dip wasn't quite ready. The cooler didn't have ice in it.  Grownups who didn't want beer at 3pm were drinking juice boxes because the sparkly water was still in the basement.  The burgers were up, but where were the buns?  The ketchup?  People were scooping potato salad onto their plates but I didn't have forks out yet.  No napkins.  And as each of these crises emerged,  I was completely able to handle it.  I HAD napkins, and water, and forks, and I even knew where they were.  I was putting out fires left and right, and a little bit congratulating myself on being so on the ball that I could respond instantly to what was needed. More popcorn? Got it. Ice cream to go with the cake? Yes. Candles? Right in this drawer. Garbage bags? Under the sink. Got one. Here it is.

And I was pleased that I was able to supply everything the party needed, but I do recognize how much more smoothly everything might have gone if I'd had the napkins, say, on the table in advance.  If I'd preset more of the drinks. If there had been an obvious place for ladies to drop their purses instead of everything being completely played by ear.

And then I got to thinking. In the orchestra, you should be able to take direction. So if the conductor asks you to play it softer, you should be able to do that. If the flute player asks you to make your articulation shorter, you should be able to do that.

And it would be easy to make that requested adjustment, and to make it quickly and easily, and think proudly that you'd done well.  But how much better would it have been if you'd actually prepared for that special very soft moment in advance? Had noticed the bounciness of the flutist's articulation before she had to ask you with words? Had known the piece so well that all of your choices were the right ones, the first time? It's important to be able to adjust, but it's even more impressive to have everything well prepared in advance.

It's the difference between a professional caterer and ME throwing together a kids party in my backyard. It's the difference between being a good player and being a great musician.

And it's the REAL goal.

Comments

Popular posts from this blog

IDRS 2014 - Day Two and OUT

I'm writing my Day Two report while all of my colleagues and friends, new and old, are well into their Day Three experience.  I was terribly sad to leave NYC, and IDRS.  In past years I've found myself sort of oboe-ed out by the third or fourth day, but I was nowhere near that point last night when I had to begin my schlep to the airport.  On the up side, I am home and spent the morning with Zoe and Steve, and I'm safely on the correct side of Lake Michigan well before my concert tonight, which was the important purpose of my travel plans - but there are SO MANY MORE great events happening at NYU.  Best of luck to everyone performing! Yesterday, among other performances, I enjoyed THREE recitals featuring music for oboe and bassoon.  Be prepared for a husband-wife recital coming down the pike in the next year or two, as I loved much of the new music that I heard.  First I enjoyed hearing ToniMarie Marchioni and two of her colleagues from the University ...

Practice+ App - and my FIRST EVER GIVEAWAY

You know how, when you are practicing, you need to have your metronome on your stand and turn it constantly up and down as you work through a technical passage?  And you also want to play in tune, and make sure you are staying consistent with your pitch.  So while your metronome is clicking away on your stand, you also have to turn half-way around to look at the screen of the big tuner which has to be plugged into the wall because it eats batteries otherwise.  And if you also want to record yourself to listen to your progress, you have to have your laptop on with the big mic plugged into it, and that’s on still another surface, so you have to move your stand around so you can orient to all three, and then your giant stack of music-in-progress falls off the stand and onto the floor and out of order and the next ten minutes are spent not practicing at all but just trying to return to normalcy. Does this sound familiar? I was sent a free promo copy (full disclosure) of an...

Beauty of Sound

In our dress rehearsal Saturday afternoon, the conductor did exactly what I often do to my students - he asked the violins to play more beautifully, and they did.  He didn’t tell them how, or give them a flowery expressive speech, he just asked for more beauty of sound, and they immediately gave it to him.  To a great extent the sound we produce is set, based on our equipment and the shape of our mouths and our bodies - but it can be altered, too.  Adjustments in reeds and instruments can go a long way, but the key change we can make is in our own minds. I don’t know how to explain it physically, but if you determine the sound you want to make you can produce it.  Or at least you can lean in and approach it.  This is something I’ve been paying a lot of attention to lately in my own playing.  As I prepare the Saint-Saëns Sonata to perform on our Oboe Studio Recital (tonight at 7 - details HERE ), my approach is largely about beauty of sound and vibrato....