Skip to main content

Upcoming Concert - Tosca!

I used to have regular access to opera.  When I was a kid, we saw broadcasts on PBS.  I remember attending live performances in my home town.  When we were starting out freelancing we played several small opera festivals in the summers, and some of our orchestras were able to put together semi-staged productions within our seasons.  But for regional orchestras and small towns now the opera opportunities have gotten pretty sparse.  Universities can sometimes put productions together, and the big opera companies are still doing their thing, but I can't count on any regular pit playing in my life anymore. 

An opera is a huge thing.  There are a lot of moving parts, and my bits - the orchestra bits - are among the smallest.  Sets, costumes, staging, direction, supertitles, star singers, choruses, conductors - I’m surprised anyone still does this!  It’s incredibly expensive and time-consuming to do a real production, and the market for it is small.  EXTREMELY enthusiastic, but small. 

All this to say, when I get an chance these days to dig into some of this fantastic, rich, complex music I do not take it lightly.  The Northwest Indiana Symphony is presenting a concert version of Puccini’s Tosca tomorrow night, and the rehearsals have just been thrilling, and I cannot wait to perform it.  It’s just breathtaking material, beautifully sung by great soloists, and the orchestra will do fine, and I will be on the edge of my seat, loving every minute. 

Details HERE.

Labels:

Comments

Post a Comment

Popular posts from this blog

IDRS 2014 - Day Two and OUT

I'm writing my Day Two report while all of my colleagues and friends, new and old, are well into their Day Three experience.  I was terribly sad to leave NYC, and IDRS.  In past years I've found myself sort of oboe-ed out by the third or fourth day, but I was nowhere near that point last night when I had to begin my schlep to the airport.  On the up side, I am home and spent the morning with Zoe and Steve, and I'm safely on the correct side of Lake Michigan well before my concert tonight, which was the important purpose of my travel plans - but there are SO MANY MORE great events happening at NYU.  Best of luck to everyone performing! Yesterday, among other performances, I enjoyed THREE recitals featuring music for oboe and bassoon.  Be prepared for a husband-wife recital coming down the pike in the next year or two, as I loved much of the new music that I heard.  First I enjoyed hearing ToniMarie Marchioni and two of her colleagues from the University ...
4 comments
Read more

Practice+ App - and my FIRST EVER GIVEAWAY

You know how, when you are practicing, you need to have your metronome on your stand and turn it constantly up and down as you work through a technical passage?  And you also want to play in tune, and make sure you are staying consistent with your pitch.  So while your metronome is clicking away on your stand, you also have to turn half-way around to look at the screen of the big tuner which has to be plugged into the wall because it eats batteries otherwise.  And if you also want to record yourself to listen to your progress, you have to have your laptop on with the big mic plugged into it, and that’s on still another surface, so you have to move your stand around so you can orient to all three, and then your giant stack of music-in-progress falls off the stand and onto the floor and out of order and the next ten minutes are spent not practicing at all but just trying to return to normalcy. Does this sound familiar? I was sent a free promo copy (full disclosure) of an...
4 comments
Read more

Beauty of Sound

In our dress rehearsal Saturday afternoon, the conductor did exactly what I often do to my students - he asked the violins to play more beautifully, and they did.  He didn’t tell them how, or give them a flowery expressive speech, he just asked for more beauty of sound, and they immediately gave it to him.  To a great extent the sound we produce is set, based on our equipment and the shape of our mouths and our bodies - but it can be altered, too.  Adjustments in reeds and instruments can go a long way, but the key change we can make is in our own minds. I don’t know how to explain it physically, but if you determine the sound you want to make you can produce it.  Or at least you can lean in and approach it.  This is something I’ve been paying a lot of attention to lately in my own playing.  As I prepare the Saint-Saëns Sonata to perform on our Oboe Studio Recital (tonight at 7 - details HERE ), my approach is largely about beauty of sound and vibrato....
7 comments
Read more