Skip to main content

Musicians for Michiana: The Inspiration

This begins a series of posts talking about my new project, Musicians for Michiana.  Maybe it’s not so new a project, as I’ve been working consistently on it since last May: talking to musicians, meeting with representatives from our non-profit partners, planning programming, working on the budget, getting catering quotes, writing grant proposal narratives, and generally trying to build all of the behind-the-scenes infrastructure before I made any kind of announcement. 

And now here we are!  Going public and raising real funds!

This project originated back in the spring.  I was out for a run, and suddenly realized that I’d been living in South Bend for years.  I’d been drowning in the busyness of raising a toddler and having an active portfolio career, and I had no idea what was going on in the town I lived in. I was ready to look around, and reach out, and try to do my part. 

I was inspired by examples like the Alias Chamber Ensemble in Nashville and the Burlington Ensemble in Vermont.  Groups which reached beyond the normal classical music audience to try to do good in the community.  I was inspired by my South Bend friend Andrea who knows everyone and everything going on in this town. I can’t imagine having roots of the depth and breadth that she has here but I wanted to start some growing.  I was inspired by what I saw of the non-profit scene here.  People really are just trying to make the world better, in whichever small, focused way they see.  I was ready to get started.

So now here we are.  There’s a full season of great music programmed.  There are four organizations partnering with us and ready to embrace this new experience.  There’s a group of musicians on board and ready to start working.  The parts have been distributed.  There’s a venue, and there’s a graphic designer, and there are two restaurants prepared to cater our receptions.  A grant application has been submitted, to partially fund the series.  The next bit is up to us.  Would you visit our Indiegogo page and consider offering some support?   Every little bit helps, and if you can’t donate, would you at least tell your friends?  All of them - the music lovers and the do-gooders, the wealthy and the ones who would like a complimentary kazoo with their $12 donation.




Later in this series: The Musicians.  The Music.  The Organizations.  The People.  The Venue.  The Success of the Fundraising Venture.  Stay tuned!

Comments

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

Beauty of Sound

In our dress rehearsal Saturday afternoon, the conductor did exactly what I often do to my students - he asked the violins to play more beautifully, and they did.  He didn’t tell them how, or give them a flowery expressive speech, he just asked for more beauty of sound, and they immediately gave it to him.  To a great extent the sound we produce is set, based on our equipment and the shape of our mouths and our bodies - but it can be altered, too.  Adjustments in reeds and instruments can go a long way, but the key change we can make is in our own minds. I don’t know how to explain it physically, but if you determine the sound you want to make you can produce it.  Or at least you can lean in and approach it.  This is something I’ve been paying a lot of attention to lately in my own playing.  As I prepare the Saint-Saëns Sonata to perform on our Oboe Studio Recital (tonight at 7 - details HERE ), my approach is largely about beauty of sound and vibrato....

Yamaha Made Me Better

The Yamaha oboe has made me better.  No doubt everyone is tired of hearing me rhapsodize about this instrument, but it's revolutionized my approach. I can just play, and if I do my job right it does its job too.  Believing that my oboe will work every time makes me relax. I have always feared low attacks, but with this instrument, my new reed style, and my new articulation technique I don't any more.  The exciting revelation, though, came very recently.  My Yamaha cracked while I was playing 3rd oboe and English horn in Milwaukee several weeks ago.  I quickly sent it down to Carlos Coelho, who pinned it, sealed it, and put inserts in the tone holes. I got it back as good as new, and played it for several more concerts, including Extase this past weekend.  When I pulled it out Monday morning, the pre-existing crack had opened wide and a large new one had materialized.  My pretty oboe is on a truck now, on its way to service. So now I am in Milwaukee ag...