Skip to main content

Upcoming Concert: Beethoven Nine!

This week I am playing Beethoven’s Ninth Symphony with the Illinois Philharmonic Orchestra.  What an absolute treat!

It has been years since I last subbed in this orchestra, and they have a new music director - David Danzmayr -  who is simply marvelous.  In our first rehearsal Monday night, I was impressed with the improvements he was able to make in the group,  the simplicity of his requests and the immediacy of our responses to them.  He never raised his voice or got excited, but simply made corrections in a friendly, cheerful manner and expected them to happen - and they did!  This very pleasant work environment is a delightful change from some other regional orchestra experiences I’ve had, and I’m looking forward to the next few rehearsals and the concert.

What is it about Beethoven Symphonies?  I think I will never get tired of playing this music.  You know that I am crazy about twentieth century repertoire, and even newer material - but all old music was new once.  Beethoven just writes so beautifully and powerfully for the orchestra.  Every articulation is meaningful, and the colors are just so rich, and the orchestration makes it easy to play.  His technique is not always easy, I hasten to add, and the endurance issues are not insignificant - but when I’m playing a solo I can always be heard, and it also happens to be made up of the most perfect notes that could possibly be played at that moment.  In a Beethoven symphony I am always trying to live up to the greatness of the music - and that is a wonderful challenge.

The Ninth is, of course, particularly monumental, and deservedly famous.  This concert will be grand, exciting, deep - and beautiful.  Please come.  Details HERE.

Comments

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...

Don't Wait For It

 Don’t wait for it. The lowest notes on the oboe are notoriously difficult to play. They don’t want to speak, they MIGHT splatter, they are SLOW to respond, they feel flat. And if your instrument is even slightly out of adjustment, they can be even more resistant - sometimes literally impossible. And some students WAIT for that low note to come before they go on, and THIS disrupts the rhythm, the tempo, the flow of the piece, and the musical line they are trying to create.  It distracts the listeners, it throws the ensemble off.  The pianist has to lurch to catch them, the conductor has to stop and yell.   One missed note, or one note that doesn’t quite speak - THAT doesn’t ruin your communication. But the distraction and disruption for both you and your listener that happens when YOU acknowledge the problem, when YOU make us all wait patiently for the response of a low C - that’s when you lose us. I think every low note has three possibilities within it. 1. It ...