Skip to main content

Winter Preview - and Panic

Building right onto my last post, may I say that I am thrilled and slightly intimidated by the amount of exciting, terrific, and difficult repertoire I have coming up in the next few weeks?

This Monday we in the South Bend Symphony are presenting our annual tribute to Dr. Martin Luther King Jr, over at the campus of IUSB, and because we try to feature the work of African-American composers and because African-American composers are by definition not nineteenth-century European composers, we get to play new music!  This year I am most excited about Adolphus Hailstork’s An American Port of Call.  It uses the orchestra to portray the sounds of a busy harbor city, and the licks in my part are tricky and rhythmic and fun.  I can’t wait to start rehearsals tomorrow.

Next weekend we’ve got a Chamber concert, featuring our outstanding principal clarinetist in the Copland Concerto, and although I am not playing that work I do get to do Mendelssohn’s Italian Symphony.  Not hard, exactly, but a serious blow and way more PIECE than I’ve played in what feels like months, and one of my favorites, too.

The following week we have a huge Masterworks concert, with Kodaly’s Dances of Galanta which is a technical showpiece for the orchestra - HARD fast playing - and the Lutoslawski Concerto for Orchestra.  This is a huge and complex piece which I have only played once, as a student, on a different part, and without apparently learning a single thing about it.  I’m eager to dive into studying and practicing.

One week later I am scheduled to play Daphnis and Chloe  (among other challenging works) with the Northwest Indiana Symphony.  Two weeks after that Martha Councell-Vargas and I start our recital set.  (We met for a rehearsal yesterday and oh my gosh this is going to be great!  If I can play my solo piece, that is…)

IN OTHER WORDS, I have a ton of notes to play in the next 4 to 6 weeks, and it’s not at all clear when I’ll find the time to prepare all of them.  I don’t know - I really don’t know - why the beginning of this semester feels so much harder than usual.  I have the same twenty or so students, the same reed business that is always busiest when I am, the same monthly board meetings and occasional coaching gigs.  For some reason I can’t seem to get my head properly above water.  Zoe’s in this phase - for the past month, really - which is really mommy-focused.  She wants to be on me every minute that we’re at home together, and it’s truly difficult to get any serious work or even thinking done when she’s there, and she’s always there.  Even that is not the whole problem, I am sure.  I started this marathon training program… which is only going to get harder…

All of these paragraphs and points will turn into new blog posts of their own, I imagine.  But what I’m trying to say right now is that I feel overwhelmed.  I’m not quite sure I deserve the awesomeness of my life, and I’m not feeling on top of my game.  I would like to not suck.

Comments

  1. i'm sure you won't suck. just tackle one thing at a time, and you'll be okay.

    ReplyDelete
  2. Oh, I know. It's all going to just happen in its time and will be fine. But forgive me for an evening's wig-out - if it inspires efficient practice and preparation there's nothing wrong with that!

    Thanks for reading!

    Jennet

    ReplyDelete
  3. Overwhelming and exciting! These are the times worth living for, no? Kids grow up, students move on, notes get learned somehow and we end up looking back to the experiences with pride and delight and a little bit of nostalgia. :)
    Have a good day.

    ReplyDelete

Post a Comment

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...

On the generosity of Instagram practice accounts

Classical musicians are trained to make it perfect. To make all the notes correct, to make it sound like the CD, to do it the way everyone else has done it. The only way to shine is to be BETTER - which means cleaner, more in tune, more perfect. We DO NOT SHIP until it’s perfect, which is why so many people struggle with performance anxiety and stage fright. Live is scary because you can’t control how perfect it is. But here’s what the kids are doing, over on Instagram. They are making “practice accounts” and sharing their work in progress. They are sharing snippets of pieces, little technical etudes, minute-long snatches of what is happening. They are sharing the messy middle. The first magic in this is that the process of recording yourself, listening to what you’re doing, making judgements for yourself about what is good ENOUGH to share, trying again to make the snippet REPRESENT where you are in the journey - that PROCESS is making you better. The second magic is that seeing your ...