Skip to main content

A Moveable Feast



Jennet Ingle

What's Going on?

Ernest Hemingway famously said,” If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life it stays with you, for Paris is a moveable feast.”
That statement is so fantastically romantic,  and his entire era of expatriates boozing around in the City of Lights so exciting and compelling, that I simply had to capitalize on it.

Here, finally, is the program I've been looking forward to all year.  In this travelogue performance, we’re presenting delicious music representing Tunisia, Naples, Peru, Cambodia, Nigeria, Scotland, and other exotic locales.  Paul Hamilton and I will play some great works by Pasculli, Ibert, Tomasi, and Ewazen.

I have always loved the popular music of the 30s and 40s, and am delighted to collaborate with cabaret artist Justin Hayford.  We’ll do a set of location-based songs from the American Popular Songbook.   Although we have worked together before (I’m on the title track of THIS album!), this will be our first LIVE performance together.

There will be cookies at the conclusion of this recital!

Where and When?


A Moveable Feast
Jennet Ingle, oboe
Paul Hamilton, piano
Justin Hayford, cabaret artist

Thursday, March 22, 2012, at 7:30pm
LakeView Lutheran Church
835 W. Addison, Chicago
Tickets $12/8 students and seniors

Saturday, March 24, 2012, at 3:00pm EST
South Bend Christian Reformed Church
1855 N. Hickory, South Bend
Tickets $10/5

Tickets for both are available at the door, or at a discounted rate in advance from my website, www.jennetingle.com.

Where Else Can I Read About You?

I am on the web at jennetingle.com, and I blog about my adventures at ProneOboe.  If you are not on my email list, please do join it HERE - I will not send spam but I will keep you well informed about my upcoming performances.

What Else is Going On?


I will be performing my CHROMA program, with Paul Hamilton as pianist and videographer, on:
Sunday, April 29th at 3:00, at Delaware County Community College outside Philadelphia.

I will be playing Doug Lofstrom’s Concertino for Oboe at the International Double Reed Society Conference in Oxford, OH on July 9 at 4:45pm.  This lovely piece was commissioned for me in 2006 and I premiered it in 2007 with the New Philharmonic Orchestra. 

I am giving a noontime recital at the Chicago Cultural Center on July 23rd, 2012.  I have no idea what will be on it, yet.  But we'll have fun.
Labels:

Comments

Post a Comment

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet
Post a Comment
Read more

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...
2 comments
Read more

On the generosity of Instagram practice accounts

Classical musicians are trained to make it perfect. To make all the notes correct, to make it sound like the CD, to do it the way everyone else has done it. The only way to shine is to be BETTER - which means cleaner, more in tune, more perfect. We DO NOT SHIP until it’s perfect, which is why so many people struggle with performance anxiety and stage fright. Live is scary because you can’t control how perfect it is. But here’s what the kids are doing, over on Instagram. They are making “practice accounts” and sharing their work in progress. They are sharing snippets of pieces, little technical etudes, minute-long snatches of what is happening. They are sharing the messy middle. The first magic in this is that the process of recording yourself, listening to what you’re doing, making judgements for yourself about what is good ENOUGH to share, trying again to make the snippet REPRESENT where you are in the journey - that PROCESS is making you better. The second magic is that seeing your ...
Post a Comment
Read more