Skip to main content

Upcoming Concert

We are playing Rachmaninov’s second symphony this weekend in South Bend, and I have always liked it very much.  It’s beautiful, extremely romantic, challenging enough to be fun but not so hard that I have to practice it every minute.  The musicians in general are very enthusiastic about it and the orchestra is playing well, and we have enough rehearsal time to prepare and play successfully and enjoyably.

But I wasn’t personally excited about this weekend’s concert until we rehearsed the concerto this evening.  I had not heard the Bartok Viola Concerto before (aside from listening to it this week to prepare) and I find that its stark harmonies and odd atonal-yet-folksy licks are incredibly satisfying to hear and play.  Our principal violist, Gabriel Schlaffer, will be the soloist (he joins us tomorrow) and I am absolutely eager to hear his beautiful sound join our orchestra in this fascinating VERY late Bartok work.

The concert will be terrific, and good for the soul on a snowy northern night.  Even Steve is going to come!

Details HERE.

Comments

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...

Don't Wait For It

 Don’t wait for it. The lowest notes on the oboe are notoriously difficult to play. They don’t want to speak, they MIGHT splatter, they are SLOW to respond, they feel flat. And if your instrument is even slightly out of adjustment, they can be even more resistant - sometimes literally impossible. And some students WAIT for that low note to come before they go on, and THIS disrupts the rhythm, the tempo, the flow of the piece, and the musical line they are trying to create.  It distracts the listeners, it throws the ensemble off.  The pianist has to lurch to catch them, the conductor has to stop and yell.   One missed note, or one note that doesn’t quite speak - THAT doesn’t ruin your communication. But the distraction and disruption for both you and your listener that happens when YOU acknowledge the problem, when YOU make us all wait patiently for the response of a low C - that’s when you lose us. I think every low note has three possibilities within it. 1. It ...