Skip to main content

Chen Wrap-Up - Moving Forward!

Here I am again, in the phase immediately after culminating the project.  Sometimes this is an empty time, but right now I'm flying high and too busy to be sad.

I LOVED playing Chen's Extase on Sunday.  I love being on stage under any circumstances, and I'm utterly committed to that great piece, and I really loved my dress.  It was a wonderful day of being a star and I wish every Sunday could be like that. 

I was surprised and delighted with the reception the audience gave to the Chen.  I knew that it was a great piece, but was concerned that our relatively conservative Sunday afternoon audience would struggle to listen past the pitch-bending and the loud percussion.  I imagined them walking out, or at least leaving at intermission.  So the Maestro and I spoke before we started, and introduced the piece, the tune, and the techniques.

We played it - we were good.  The orchestra was wonderful, and I was pleased with my playing. I missed one obvious gliss up to a high Ab that didn't speak, but there was plenty of time left in the piece for them to forget and I showboated the heck out of the final cadenzas.  We got a huge standing ovation, and many many people came up to speak to me afterwards, some visibly moved.  (Others just complimented my dress).  I was proud of my work - the past 11 months of practice culminated just the way they were supposed to, and I'm a far stronger player for having learned this difficult piece. 

It's a little sad to put Extase away now.  I'm looking actively for more performance opportunities, but at the moment it is back on the shelf.  There's an empty spot in my practice day.

That said, my next step is obvious.  I have to bring Ewazen's Down a River of Time  to performance level in 3 1/2 weeks. I love the Ewazen, and I know it - and it's even pretty fresh in my brain as I have been listening to it and teaching it for the last month.  Now all I have to do is play it on the oboe…convincingly… and soon.  I'm running movements now, and will do some recording this weekend so I can hear what I'm doing wrong - or right.  I'll be going over the memorization on all of my runs from here on, and by next week I plan to do full run-throughs.  I'm fast-tracking my preparation, and loving every minute. 


Comments

  1. I cannot begin to tell you how blown away I was with that performance. Aside from the technical aspect of the piece, you also brought in so much expressiveness. And ON TOP of ALL that was going on this week with the Children's Concerts, and having to move venues, you were totally just enjoying being there, every rehearsal, no matter how tired any of us were. that made the entire week, completely worthwhile.

    ReplyDelete
  2. Earle, thanks! That's so nice! And of course I enjoyed being there - it's easy to rehearse and perform a piece I love, but HARD to move an orchestra across town in trucks. From my perspective, everything was always where I expected it to be, and happened on time, and you were always smiling. It's an honor and a privilege to work with you.

    ReplyDelete

Post a Comment

Popular posts from this blog

Zoe's Musical Beginnings

I've mentioned before that I started out on the piano by figuring out melodies.  Connecting notes and trying to learn how they worked.  I'm fascinated to observe that Zoe's initial approach to the instrument is totally different from mine. She sits at our new piano and plays random notes, and tells us what to feel.  If she is playing slowly then the music is sad, and we should cry. When we are "crying" she either gets up and hugs us so we feel better (so awesome!) or bangs faster, to indicate that the music is now happy and we should dance.  Her other piano game is accompanying herself - she plays "chords" in alternating hands while she "sings" the ABC song or Camptown Races or Sesame Street.  She makes us sing along.  She loves it when we clap at the end.  When I was little I wanted to know how music worked. Although I make my living as a performer now, I learned about the interpersonal aspects of music later.  Her immediate interest is in

Cleaning Your Reeds

Updated: I've posted a video of my plaque cleaning technique HERE ! Oboe reeds are made from organic material, and over time it is inevitable that they will age and change. The first few days of change are usually quite welcome, as you break the reed in by playing and the opening gradually settles down to something you can be comfortable with and the response becomes more and more predictable.  You might even hit a plateau where it appears to be perfectly consistent and reliable for several days! But after that, the reed seems to be on a constant gradually accelerating downslope, until it eventually collapses into a sharp, non-responsive, mushy mess. We can rejuvenate the reed during this time by cleaning it, and can often extend its life as well! There are three good ways to do this. First, least invasively, you can just run some fresh water through and over the reed AFTER you play each time.  Go ahead and rinse that reed in the sink, shake it as dry as possible, and tu

Knife Sharpening

I've gotten a lot of questions on this topic, and the most recent querent prompted me to make a video to demonstrate.  You can find that  HERE . Knife sharpening seems to strike terror into many hearts.  And it's little wonder.  Many famous oboists have gone on record as saying that a sharp knife is the most important aspect of reed making. People have entire systems of stones and strops and rods set up to sharpen their knives. And it is important, of course it is - but I don't believe that you need your knife to be razor-like, or objectively the sharpest blade of any in your home.  The reed knife has one job - scraping cane off in precision ways - and it has to be sharp enough for that, and sharpened optimally for that purpose.  More than that is overly fussy for my taste. This is not to say that I allow my knife to be dull.  A dull knife forces you to put too much pressure on the reed and can cause cracking. Obviously it can lead to terribly inconsistent scraping, an