Skip to main content

Upcoming Concert

This weekend in South Bend we finally open our official season with James Beckel's Toccata for Orchestra, the Korngold Violin Concerto, and Brahms Symphony No. 1.  And I feel pretty good about this program.

Brahms 1 remains one of my very favorite orchestral works.  It has everything - fatefully tolling tympani, gorgeous oboe, horn, and violin solos, a deeply joyful major key string chorale melody, and a rock solid ending that leaves no doubt about when the audience should applaud.  I played this piece for the first time in Youth Orchestra in high school, and I never get tired of it. 

It's one of those warhorses that is truly overplayed, though.  I have only been with South Bend for 5 years, and I know I have performed it here at least once before.  There is so much great repertoire out there, and I am hard-pressed to explain why we would repeat a piece this soon.   Do people really want to hear the same pieces over and over again?  Across America, orchestras are struggling to maintain their aging audiences and reach out to younger people, who rightly see the symphony as a museum piece.  Why not perform newer works, contribute to the development of today's composers, and give support to local musicians?

Fortunately, in this case our music director has in fact done this.  The Toccata for Orchestra is a relatively new, relatively local work, composed in 2007 by James Beckel, Jr, a trombonist and composer from Indianapolis. It is lively, fun, and should be an enjoyable treat even for the Brahms lovers.  The Korngold Violin Concerto is beautiful and romantic, but has some edgy moments, and is certainly not nearly so commonly played as many other concerti.  I've never done it before, myself, and am looking forward to it quite a lot. 

Hopefully there is something for everyone on this concert - why not come and check us out if you live in the area?

Comments

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...

Micro Rests

 For oboists, endurance is a huge problem.  We can play an endlessly long phrase, because of the way the instrument is constructed, but we can really only do that a few times in a row before our embouchure starts to get fatigued.  We develop a buildup of air that feels exhausting to hold onto, and the thought of sustaining that kind of energy over  an entire page of music, much less a 45 minute recital program, is intimidating.    There's almost always a lesson, a week or two before a jury or a recital, where my student comes in and says, "I just can't DO this! I can play every detail in my music, but I can't put the whole thing together!  My mouth comes right off the oboe when I try - I'm going to fall apart in front of the audience, and it's going to be terrible!"  Look, I'm putting this on my students now - but there's a moment a week or so before MY performances that feels exactly the same! I have not outgrown this moment of panic. And at that...