Skip to main content

Good Oboe Book


I read a great book this week - Oboemotionsby Stephen Caplan. I was skeptical at first, because the oboe is such a niche market. I buy anything that says OBOE on it, because there is not much, and of course I find a lot of fluff. Because there is so little that is specific to my instrument, I am accustomed to reading sports psychology or marketing manuals and automatically translating the ideas in my mind for my own needs. Having all of the work done for me sort of felt a little cheap - like I wasn't really having to think to learn.

That said, the book was terrific. All about the physicality of playing the oboe, and intelligent ways to think about what is going on inside one's body. There were a few tweaks that I've been thinking about in my own playing - his approach to basic articulation is a little different from my own, for example, and I've been using this Mozart week to experiment - but mostly I was excited to have more ways to approach student problems. A lot of playing issues can be linked to tension, and I appreciate having new postural elements to look at and better words for what I already see.

I am always looking for ways to deepen my understanding of the oboe and to be a better teacher, and this book gave me both. I recommend it highly for oboe teachers and advanced students.

Comments

  1. Oboemotions has helped me with unnecessary tensions an unbelieveable amount this year.

    Via request of Earle, I've been 'creeping' on your blog.

    Excellent stuff!

    ReplyDelete
  2. Oboemotions has helped me so much this year with paying attention to extra tensions and dealing with performance anxiety as well! It's given me a great outlook on everything from articulation to support!

    I'm glad you've found it useful as well!

    ReplyDelete
  3. Oboemotions has helped me immense amounts this year. The outlook on how the body should be and knowing how it's SUPPOSED to feel when there is not tension has been EXTREMELY helpful.

    The articulation section as well. :)

    I'm happy to know that you've found it useful as well!

    ReplyDelete
  4. Cassandra, it was great to meet you the other night, and thanks for your comments! Good to know that I'm not alone in my enjoyment of this book.

    ReplyDelete

Post a Comment

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...

On the generosity of Instagram practice accounts

Classical musicians are trained to make it perfect. To make all the notes correct, to make it sound like the CD, to do it the way everyone else has done it. The only way to shine is to be BETTER - which means cleaner, more in tune, more perfect. We DO NOT SHIP until it’s perfect, which is why so many people struggle with performance anxiety and stage fright. Live is scary because you can’t control how perfect it is. But here’s what the kids are doing, over on Instagram. They are making “practice accounts” and sharing their work in progress. They are sharing snippets of pieces, little technical etudes, minute-long snatches of what is happening. They are sharing the messy middle. The first magic in this is that the process of recording yourself, listening to what you’re doing, making judgements for yourself about what is good ENOUGH to share, trying again to make the snippet REPRESENT where you are in the journey - that PROCESS is making you better. The second magic is that seeing your ...