Skip to main content

New Years Resolution (Oboe Style)

I know it's not that cool to make New Year's Resolutions, but there's something so clean and fresh about a new year and I see no reason to maintain my old bad habits when there's an excuse to quit them cold turkey.

Here is my resolution, and please hear me out before you judge me. My resolution is to brush my teeth before playing the oboe. Always.

I am always hungry. Between running 20-25 miles a week and nursing Zoe (a little, still), I never seem to be full, and a couple of hours is my limit for going without food. My colleagues can attest that I always have an apple and a bar of seriously dark chocolate and usually a peanut butter sandwich with me and I usually eat at intermission or between quintet shows. I'm not comfortable playing the oboe overfull, but I'm not smart or alert when I'm hungry, so a snack is quite essential. And on a 15-minute orchestra break it is hard to eat a large apple AND visit with all of my friends AND fill out paperwork AND find time to brush my teeth.

And this has not been a huge deal, although of course I emphatically teach my students not to play after eating. I have always perceived that the tiny opening of the reed is sufficient to keep big detritus out of the oboe. It is a first line of defense, and if it should get a little goopy, well, a reed never lasts longer than a week or so anyway, so what do I care? I don't have a big sweet tooth or drink sugary beverages, so I wasn't worried about my pads sticking.

Also, I kind of love shocking people and acting like the bad girl. (OK, yes, it's a very classical-music-nerd bad girl act, but still.)

But all justifications aside, it is a bad habit, and if toothbrushing is a requirement for me to approach the oboe, I will brush more and possibly eat less, and those can't be bad things. So I now have an unimportant but achievable goal this year.

Oh, and coffee doesn't count. Not at all. If coffee counts I'm quitting before I even start.

Comments

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...

Don't Wait For It

 Don’t wait for it. The lowest notes on the oboe are notoriously difficult to play. They don’t want to speak, they MIGHT splatter, they are SLOW to respond, they feel flat. And if your instrument is even slightly out of adjustment, they can be even more resistant - sometimes literally impossible. And some students WAIT for that low note to come before they go on, and THIS disrupts the rhythm, the tempo, the flow of the piece, and the musical line they are trying to create.  It distracts the listeners, it throws the ensemble off.  The pianist has to lurch to catch them, the conductor has to stop and yell.   One missed note, or one note that doesn’t quite speak - THAT doesn’t ruin your communication. But the distraction and disruption for both you and your listener that happens when YOU acknowledge the problem, when YOU make us all wait patiently for the response of a low C - that’s when you lose us. I think every low note has three possibilities within it. 1. It ...