Skip to main content

Productivity

I didn't sleep well last night. And I don't feel like playing the oboe.

I tried going out for a run. I did indeed feel better afterwards, but still not like playing the oboe.

I tried making a yummy couscous salad for tonight's dinner. Creating things makes me feel productive, and I love cutting vegetables up, and we had all of these gorgeous fresh heirloom tomatoes and basil from my pianist's partner's garden. So that was good, but I still don't feel like playing the oboe.

I went up to my studio to force the issue. I did a half hour of long tones and scales and felt thoroughly warmed up. When I thought about actually looking at the music I'm preparing, though, I lost interest. Zoe was being awfully cute and distracting, but mostly I just didn't want to.

Now I'm trying a change of venue. I'm out at my favorite coffee shop eating lunch and catching up on some computer work - website tweaks and emails and work on my promotional materials - and maybe this afternoon during the baby's nap I'll try one more time.

But if I don't end up truly practicing today I will let it go. I've been playing well, and one off day never really hurt anyone, and I have absolutely given it a fair shot. Sometimes you just have to listen to your body, or your brain, or whatever it is that is in charge of productivity. This may just not be an oboe day.

Comments

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

Beauty of Sound

In our dress rehearsal Saturday afternoon, the conductor did exactly what I often do to my students - he asked the violins to play more beautifully, and they did.  He didn’t tell them how, or give them a flowery expressive speech, he just asked for more beauty of sound, and they immediately gave it to him.  To a great extent the sound we produce is set, based on our equipment and the shape of our mouths and our bodies - but it can be altered, too.  Adjustments in reeds and instruments can go a long way, but the key change we can make is in our own minds. I don’t know how to explain it physically, but if you determine the sound you want to make you can produce it.  Or at least you can lean in and approach it.  This is something I’ve been paying a lot of attention to lately in my own playing.  As I prepare the Saint-SaĆ«ns Sonata to perform on our Oboe Studio Recital (tonight at 7 - details HERE ), my approach is largely about beauty of sound and vibrato....

Yamaha Made Me Better

The Yamaha oboe has made me better.  No doubt everyone is tired of hearing me rhapsodize about this instrument, but it's revolutionized my approach. I can just play, and if I do my job right it does its job too.  Believing that my oboe will work every time makes me relax. I have always feared low attacks, but with this instrument, my new reed style, and my new articulation technique I don't any more.  The exciting revelation, though, came very recently.  My Yamaha cracked while I was playing 3rd oboe and English horn in Milwaukee several weeks ago.  I quickly sent it down to Carlos Coelho, who pinned it, sealed it, and put inserts in the tone holes. I got it back as good as new, and played it for several more concerts, including Extase this past weekend.  When I pulled it out Monday morning, the pre-existing crack had opened wide and a large new one had materialized.  My pretty oboe is on a truck now, on its way to service. So now I am in Milwaukee ag...