Skip to main content

The Good Parts

I got up at 5:30 am on a recent Tuesday. I had come in at 11 the night before after teaching 9 students in a row, and driving home, and so obviously had not gotten much sleep. The gig I was on my way to was an education concert that did not have a lot going for it, from my perspective - a trip through American History with peripherally related orchestral music and amateur actors. We were playing in an elementary school in Nowhere, IN, and there were two shows in a row for the same money as one. I was playing English horn, which is something I love to do, but the downside of the EH is that you spend a lot of time sitting around waiting for your piece to come up, which is NOT something I like to do. I'd rather be playing. The school was a solid two and a half hours from my house, and the orchestra is a great group, but not one of my usual ensembles so I was basically out and driving before the sunrise to count rests with strangers for a bunch of ten-year-olds who did not want to listen to us. This gig was really just about the money, and honestly everyone must have days like that, right?

Anyway, I was in the middle of the second show, sitting in the orchestra waiting for my final piece (John Williams Liberty Fanfare - great material but not an English horn feature, to say the least). The orchestra was zooming through the Overture to Candide, in which I don't play, and all of a sudden I felt a tremendous rush of well-being and satisfaction. Yes, the morning's service was not one of the more spectacular moments of my career, but isn't it great that I can be sitting in the middle of an ensemble, enjoying this wonderful music, being a part of things, AND make my living? I could be actually working - digging ditches or cleaning houses or telemarketing or turning tricks - but instead I am being paid to perform. I wonder if the amount of energy and hassle that it took to get me to that point in the morning was a factor in my feelings?

Last week I headed out on a long run. I think I've mentioned that I've been struggling through my runs lately - I love getting through them but the actual running part has been more of a drag than a pleasure. This time, though, after the first forty-five minutes, I got a fabulous second wind and zoomed through the remaining fifteen or so LOVING the endorphin rush. I had forgotten over this long winter that the best part of the run happens AFTER the first five miles, so when I get discouraged and head home after four, which is what has been happening, of course it doesn't feel fun. Maybe it's all of the effort that really makes the payoff magical, in life as well as exercise.

Or maybe it's just that I should get up earlier more often. It could just be punchiness from insufficient coffee...

Comments

Popular posts from this blog

The Blog has MOVED

 Have you been waiting ... and waiting ... and WAITING for a new Prone Oboe post?  Don't wait here anymore!  The blog has moved to https://jennetingle.com/prone-oboe/  and will not be updated here on Blogger anymore.  Please come and check me out there!  I love you all - stay safe out there!  Jennet

How Do You WISH You Could Describe Your Reeds?

In Reed Club last Monday, we took a moment before we started scraping to set some intentions.  We each said one word - an adjective to describe what we WANTED our reeds to be.  An aspirational adjective. Efficient was a word that came up, and Consistent . Dark and Mysterious . Mellow . Predictable .  Trustworthy .  Honest .  BIGGER . Reed affirmations actually felt helpful - both in the moment and in the results we found as we worked.  I don't know why that surprises me - I set intentions at the beginning of the year, at the beginning of the month, at the beginning of a run, in the morning before I work.  I love a good affirmation.  I love WORDS.  But I'd sort of forgotten about the possibility of applying one to the mundane work of reed-making.   You don't have to know exactly how to GET to that result.  But having clarity in your mind about what that result is?  Helps you to stop going down unhelpful rabbit holes...

On the generosity of Instagram practice accounts

Classical musicians are trained to make it perfect. To make all the notes correct, to make it sound like the CD, to do it the way everyone else has done it. The only way to shine is to be BETTER - which means cleaner, more in tune, more perfect. We DO NOT SHIP until it’s perfect, which is why so many people struggle with performance anxiety and stage fright. Live is scary because you can’t control how perfect it is. But here’s what the kids are doing, over on Instagram. They are making “practice accounts” and sharing their work in progress. They are sharing snippets of pieces, little technical etudes, minute-long snatches of what is happening. They are sharing the messy middle. The first magic in this is that the process of recording yourself, listening to what you’re doing, making judgements for yourself about what is good ENOUGH to share, trying again to make the snippet REPRESENT where you are in the journey - that PROCESS is making you better. The second magic is that seeing your ...