Skip to main content

Public Face, Private Face

We are home from an amazing long week of Christmas visits, with four full sets of different family circles getting to coo over and handle Zoe and meet her and play with her. And she was amazing! As sociable and friendly at the last party as at the first, she smiled at everyone and was happy to be held and bounced or to show off her almost-crawling skills for HOURS. I personally begin to fade pretty quickly at a big gathering when I don't know people well, but Zoe remained the life of the party over and over, and for surprisingly long periods.

What I noticed was this, though. Every time she came back into my arms, whether after 15 minutes or an hour and a half, she'd get a little squirmy and a little fussy and want to feed just a little bit. Sometimes she'd nap. And I began to realize that I was the safe haven for her that made the rest of her social energy possible. Her public face was consistently delightful, but when she came back to me she could let the private face through and admit that she wanted the comfort of nursing or that she was tired and needed a break.

To me that makes perfect emotional sense. I am less adept socially than I am professionally, but if I'm holding an oboe and performing or teaching, I'm very enthusiastic, and I am closely keyed into the person or people I'm interacting with. While performing I consider it my job to be entirely extroverted. The act of performance is about giving the music away to the audience, and it is my job to translate the composer's intentions and to sell the piece I'm playing. So everything about me is aimed outward during performance, and I am intentionally generous with my affect and communicative with both my colleagues and my audience. I can speak very comfortably in public by the same mechanism. And of course when I teach I am keyed into the needs of the student and working constantly to inspire as well as to inform.

I feel very comfortable in those roles, and my oboe-self is a genuine one, but when I get into my car or back home again that outward-oriented energy fades to be replaced by the private face. I am definitely an introvert at heart, and restore my energy by having alone time or at-home time with my family. I don't want to make it sound like my professional persona is a fake one - that's not how it feels to me - but the kind of energy it takes is not indefinitely sustainable without the rejuvenation of solitude. I certainly have a public face and a private one, and it is fascinating to see that so clearly in my five-month-old daughter as well.

Comments

  1. HI Jennet - all of this makes sense. I saw the Kennedy Awards this week, and they honored Bruce Springstein. One of the comments was that he gave 110% during his performances, and that there was "nothing left" afterwards. It's true, you pour out everything you have during performance... so it's absolutely necessary to regroup/rejuvenate!

    We have a recital in less than a month! Looking forward to it!

    Paulie

    ReplyDelete

Post a Comment

Popular posts from this blog

Zoe's Musical Beginnings

I've mentioned before that I started out on the piano by figuring out melodies.  Connecting notes and trying to learn how they worked.  I'm fascinated to observe that Zoe's initial approach to the instrument is totally different from mine. She sits at our new piano and plays random notes, and tells us what to feel.  If she is playing slowly then the music is sad, and we should cry. When we are "crying" she either gets up and hugs us so we feel better (so awesome!) or bangs faster, to indicate that the music is now happy and we should dance.  Her other piano game is accompanying herself - she plays "chords" in alternating hands while she "sings" the ABC song or Camptown Races or Sesame Street.  She makes us sing along.  She loves it when we clap at the end.  When I was little I wanted to know how music worked. Although I make my living as a performer now, I learned about the interpersonal aspects of music later.  Her immediate interest is in ...

Cleaning Your Reeds

Updated: I've posted a video of my plaque cleaning technique HERE ! Oboe reeds are made from organic material, and over time it is inevitable that they will age and change. The first few days of change are usually quite welcome, as you break the reed in by playing and the opening gradually settles down to something you can be comfortable with and the response becomes more and more predictable.  You might even hit a plateau where it appears to be perfectly consistent and reliable for several days! But after that, the reed seems to be on a constant gradually accelerating downslope, until it eventually collapses into a sharp, non-responsive, mushy mess. We can rejuvenate the reed during this time by cleaning it, and can often extend its life as well! There are three good ways to do this. First, least invasively, you can just run some fresh water through and over the reed AFTER you play each time.  Go ahead and rinse that reed in the sink, shake it as dry as possible, a...

What I Did on My Summer Vacation

We took a vacation this summer.   This is not news to anyone in my life - anyone who knows me or especially Steve on Facebook followed along with all of our pictures.   We took our travel trailer out to Arizona - via St Louis, Tulsa, Amarillo, Roswell, Santa Fe - and then stayed a week in Clarksdale and Flagstaff and visited some ancient pueblo ruins, Sedona, Jerome, the Lowell Observatory, the Grand Canyon.   We swam in swimming pools, lakes, and icy mountain streams.   We hiked.   Eventually we came home again, via Albuquerque, Amarillo, Tulsa, and St Louis. (our inventiveness had somewhat worn out).   After a week at home we took another trip, and drove to Vermont via western NY and the Adirondack Park (stayed an extra day to hike a mountain), lived four days in East Franklin VT, and came home via Catskill and eastern Ohio.   This vacation felt different from all of our previous ones.   In the 21 years we’ve been married, I can name on...