Getting Back on the Horse

I did a 10K yesterday morning - it was my longest run since having Zoe. I had planned to do the 5K version of this run and to try to better my time from two weeks ago, but then decided to get my distance up before my speed. With a strong base of miles under me I can add some intervals and speed workouts over the winter and be fast again (i.e. back to my not-fast 8 minute mile peak from last year), whereas adding speed too early is a recipe for injury. Accordingly, since I had done a 5.4 mile run last weekend I used the 10K as a nice easy long run with water stops and a t-shirt at the end.

On the oboe, I also feel that it's useful to have a critical mass of practice in before expecting the little fancy nuances to come easily. I've worked hard since about 10 days post-partum to bring my playing back to an appropriate level, and now eight weeks later I'm on my way to my first post-Zoe orchestral audition. I can't wait to see how it goes!

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Knife Sharpening

I've gotten a lot of questions on this topic, and the most recent querent prompted me to make a video to demonstrate. You can find that HERE . Knife sharpening seems to strike terror into many hearts. And it's little wonder. Many famous oboists have gone on record as saying that a sharp knife is the most important aspect of reed making. People have entire systems of stones and strops and rods set up to sharpen their knives. And it is important, of course it is - but I don't believe that you need your knife to be razor-like, or objectively the sharpest blade of any in your home. The reed knife has one job - scraping cane off in precision ways - and it has to be sharp enough for that, and sharpened optimally for that purpose. More than that is overly fussy for my taste. This is not to say that I allow my knife to be dull. A dull knife forces you to put too much pressure on the reed and can cause cracking. Obviously it can lead to terribly inc...

Zoe's Musical Beginnings

I've mentioned before that I started out on the piano by figuring out melodies. Connecting notes and trying to learn how they worked. I'm fascinated to observe that Zoe's initial approach to the instrument is totally different from mine. She sits at our new piano and plays random notes, and tells us what to feel. If she is playing slowly then the music is sad, and we should cry. When we are "crying" she either gets up and hugs us so we feel better (so awesome!) or bangs faster, to indicate that the music is now happy and we should dance. Her other piano game is accompanying herself - she plays "chords" in alternating hands while she "sings" the ABC song or Camptown Races or Sesame Street. She makes us sing along. She loves it when we clap at the end. When I was little I wanted to know how music worked. Although I make my living as a performer now, I learned about the interpersonal aspects of music later. Her immediate interest is in ...

Exciting Upcoming Concerts

The South Bend Symphony has a great concert this weekend that I've been really excited about. If you are in town you should definitely try to attend, as it features Prokofiev's thrilling Symphony no. 5 AND our marvelous concertmistress, Zofia Glashauser, playing the Tchaikovsky Violin Concerto. However, I will not be there. This Friday and Saturday I am playing Strauss's Ein Heldenleben with the Milwaukee Symphony , and loving every single minute. This orchestra sounds spectacular, and here's why. They rehearse. They have plenty of time to really listen to each other and get things right. This morning, our service was a wind sectional, which blew my mind. Almost 2 full hours with only the winds and brass, just on this one 40-minute piece. The conductor worked with us on every detail. Intonation, articulation, ensemble, balance, style. And still we have another full orchestra rehearsal tomorrow as well as the dress. I haven't sat in a winds-only rehearsal...

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