Skip to main content

We Do What We Can - What Can We Do?

There's a difference between listening to your body and just being lazy, but it's a fine line. I've dealt with this in my running time and again - and misled myself both ways. I've persevered through aches that became injuries and took me off the street for weeks, and I've also slid down the slippery slope which starts out with feeling tired and groggy and deciding to forgo my run that day, proceeds through being too involved in my book (or coffee, or journal) to go right then, and ends with having gone 2 weeks without exercising.

I'm coming back to running now after the birth of my daughter, and it's hard to know how much I can push myself without being just plain stupid. I'm dying to walk out the door and slip effortlessly into my old pace and let the miles roll away under my feet, but I can't actually do that yet. I'm taking walk breaks, and building my mileage slowly, and being smart, and still I feel this strong disconnect between what I want to do and what I can physically do. I feel absurdly defensive when I meet other runners out on the road, and am tempted to stop them and explain that my slow pace and sloppy form are because I JUST DELIVERED A BABY, ALREADY. I want to be a legitimate runner again but this morning I was tired (from getting up twice in the night with the baby) and didn't go out and I wonder if that qualified as listening to my body and being cautious, or just not having the willpower to get out there and work today. I don't seem to get any better at this conundrum.

Similarly, there's a difference between enjoying the baby while she's young, because she'll only be this small for such a short time (everyone says that, and I do believe them), and letting your life completely pass by while you stare at the tiny face and fingers and feet and admire her precious shoulder blades and DON'T practice or make good reeds or work out or organize your students' schedules for the upcoming year.

Now that Zoe's four and a half weeks old, she doesn't insist on being held every minute, but does want to be in the same room as me. I can put her on a blanket in my studio and she will look around and wave her arms and legs and coo and gaze at things, all by herself. This should give me plenty of time to practice and get my reed shipments out, but I just find her far too enchanting to get work done in her presence. I've always been a pretty high-powered person - strongly motivated and organized to a fault. The me that could just snuggle with a baby and let the hours tick by is new to me. I need to work a little harder at identifying that fine line...

Comments

Popular posts from this blog

Knife Sharpening

I've gotten a lot of questions on this topic, and the most recent querent prompted me to make a video to demonstrate.  You can find that  HERE . Knife sharpening seems to strike terror into many hearts.  And it's little wonder.  Many famous oboists have gone on record as saying that a sharp knife is the most important aspect of reed making. People have entire systems of stones and strops and rods set up to sharpen their knives. And it is important, of course it is - but I don't believe that you need your knife to be razor-like, or objectively the sharpest blade of any in your home.  The reed knife has one job - scraping cane off in precision ways - and it has to be sharp enough for that, and sharpened optimally for that purpose.  More than that is overly fussy for my taste. This is not to say that I allow my knife to be dull.  A dull knife forces you to put too much pressure on the reed and can cause cracking. Obviously it can lead to terribly inc...

Zoe's Musical Beginnings

I've mentioned before that I started out on the piano by figuring out melodies.  Connecting notes and trying to learn how they worked.  I'm fascinated to observe that Zoe's initial approach to the instrument is totally different from mine. She sits at our new piano and plays random notes, and tells us what to feel.  If she is playing slowly then the music is sad, and we should cry. When we are "crying" she either gets up and hugs us so we feel better (so awesome!) or bangs faster, to indicate that the music is now happy and we should dance.  Her other piano game is accompanying herself - she plays "chords" in alternating hands while she "sings" the ABC song or Camptown Races or Sesame Street.  She makes us sing along.  She loves it when we clap at the end.  When I was little I wanted to know how music worked. Although I make my living as a performer now, I learned about the interpersonal aspects of music later.  Her immediate interest is in ...

Exciting Upcoming Concerts

The South Bend Symphony has a great concert this weekend that I've been really excited about. If you are in town you should definitely try to attend, as it features Prokofiev's thrilling Symphony no. 5 AND our marvelous concertmistress, Zofia Glashauser, playing the Tchaikovsky Violin Concerto. However, I will not be there. This Friday and Saturday I am playing Strauss's Ein Heldenleben with the Milwaukee Symphony , and loving every single minute. This orchestra sounds spectacular, and here's why. They rehearse. They have plenty of time to really listen to each other and get things right. This morning, our service was a wind sectional, which blew my mind. Almost 2 full hours with only the winds and brass, just on this one 40-minute piece. The conductor worked with us on every detail. Intonation, articulation, ensemble, balance, style. And still we have another full orchestra rehearsal tomorrow as well as the dress. I haven't sat in a winds-only rehearsal...