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Putting in the Work

The first speed work of the season - the first time I really try to push my running in a specific, measured way - knocks me to the ground.  I accomplish most of the workout, and then drag myself around for the rest of the day and sleep 9 hours and wake up still tired.  I wonder how I, or anyone else, could ever do it.  But by the next week, I’m ready to try again. And sure enough, I am able to complete a planned workout better at that time.  I’m tired afterward but not dead on my feet.  By the third or fourth week of track workouts, I can sort of take them in stride.  They’re hard but a good hard. As you know, my running’s been in the tank this whole year, but I found myself on a track yesterday after dropping Zoe off at camp, and had the above-mentioned experience, and can’t WAIT to do another one next week, for the above-mentioned reasons. Mercifully, I can recover much faster on the oboe than I can running.  Which is why I'm not a professional at...

Zoe is FIVE

The paper plates I bought for Zoe’s birthday on Friday had a unicorn on them.  With rainbows and ribbons and swirls all around.  When we pulled them out for the pizza, Zoe was awestruck.  “That’s so beautiful!” she cried!  “What’s that pony’s name?”  Now I was feeling kind of bad - because this was not actually a My Little Pony character plate, but just a dumb paper plate from the dollar store.  I know that my love for my daughter is not lessened by a reasonable frugality, and that Twilight Sparkle or Rainbow Dash plates would get grease-stained, thrown away, and forgotten just as fast as any other cardboard designed to briefly hold food - but in that moment I felt cheap.  “I think it’s just a generic unicorn, Babe,” I apologized. “Ooh!  What a pretty name - Generic!”  And with that Zoe grabbed a piece of pizza and danced off to rejoin her friends. This is what I love best about Zoe.  She is completely ready to take joy in the lamest uni...

I Love my Metronome

I had such a great time with my metronome today.  In fact, I’ve been feeling fond of it for weeks.  I gave a metronome seminar at the Dake Chamber Music Academy at the end of June, and in preparation for it I revisited My Favorite Metronome Games , and although I use the device all the time anyway, and have one on my stand and one on my phone and one on my laptop for emergencies,  I was happy to have been reminded of it and to use it in my work. In my continuing effort to bring my playing back to normal I warmed up carefully, playing long tones on the reed and oboe and an arpeggio exercise.  Then I tackled some repertoire.  Not the hardest material on my recital, nor the easy stuff which I love but which requires only a brief brushup before my August performance. I came back to the Gavotte en Rondeau from Bach’s E Major Partita. First, I worked through the rondo theme a few times, and made sure that I was confident with my interpretation and my ability to pres...

Coming Back

Ahhhh.  I’ve been on vacation for a week.  Haven’t touched the oboe, in fact, in ten days.  And wasn’t that into it for a while before that, either.  At the end of a long season it feels fantastic to take a break. Although I am still technically on vacation, up in gorgeous Northern Vermont, we do have a home base now, rather than a tent, and an element of routine reestablished, and I’m eager to come back to the instrument that I love.  Just the smell of it, as I pulled it out of its case, was evocative and welcoming.  I can’t wait to be a musician again! It’s not quite that easy, though.  The tiny embouchure muscles in my face are out of shape.  My reeds are dried out and and unfamiliar.  After even this short a break, the oboe feels like a foreign object.  My brain is ready to come back, but my body is not. There’s some urgency to the return.  I have some summer outdoor concerts coming up, which will of course be fine.  I am a...

How Not to Plan

I was listening to Marc Maron’s podcast as I commuted to Chicago last week, and enjoying an interview with actor and comic Aasif Mandvi.  Mandvi delighted me by quoting an old acting teacher - whose name I did not, regrettably, catch- in saying something that I have come to understand is true.  I’m paraphrasing, now.  You can’t prepare the whole monologue, because you never know how it is going to evolve or what it will mean to you in the moment.  You never know where it is going to take you.  Just prepare your entry point, and figure out how to get in, and then use your instincts from there.  This is something I’ve known and worked with for a long time.  You can’t craft every second of the plan - you can’t know in advance exactly how you are going to present any given note or phrase.  It could be that a colleague tosses you a turn in an unexpected way, and you choose to respond to that. It could be that the audience is giving you a particular en...

Stepping Back

More on the eerie parallels between exercise and the oboe. I’ve been struggling with my running all spring.  Mainly because I quit it all winter, honestly - but for the past few months I’ve been dragging myself through workouts, ignoring the twinges of old injuries, and assuming that I was one good run away from a real breakthrough.  As recently as a few weeks ago I figured I was just a couple of long runs away from a successful half-marathon at the end of this month.  I mean, I wasn’t actually accomplishing my three and four milers without walking, and I hadn’t ACTUALLY done anything over six miles since November - but I just knew that if I kept pushing through these uncomfortable, gasping, leg-burning miles I would pop back into the body and fitness that I had last May. Turns out it doesn’t work like that when you’re forty. I’m playing the Strauss Oboe Concerto with a community orchestra on June 12, and somehow, shockingly, my first rehearsal with them is this Tuesd...

If I Were a Real English horn Player

If I had an English horn job, I would get a lot more reading done.  I like playing the thing fine, and I even don’t mind schlepping it around since I got my BAM Ultralight case a few years ago.  I don’t love making the reeds, but once made they last a really long time and I could get used to that. What I will never grow to like is the sitting around.  There’s always a pretty solo for the English horn somewhere, but waiting for my piece and then waiting for my entrance gets old pretty fast.  But on the upside, I’ve finished two New Yorker s today, and the stack of unread reads in my room is shrinking nicely this week.  If I did this regularly, there's no telling how caught up I might be with my life.  AND, we have another concert tomorrow.  This week for me is the Illinois Philharmonic, in a concert of Bernstein and Prokofiev, which I love, and Glazunov, which I read during.  Fun program.  Beautiful music.  Details HERE .