Skip to main content

Reed Mindset


In our dress rehearsal Saturday morning I became aware of just how GREAT my reed was. It felt so EASY to play the oboe.  I could come in perfectly softly, with or without a strong attack.  I could enter loudly and in tune, with or without accent.  My pitch was centered, my tone was attractive.  I could taper right off the ends of notes EXACTLY as I needed to.  And all of these things just felt RIGHT.  It’s so unusual to have a reed that I didn’t have to MANAGE, that I didn’t have to keep an awareness of in the back of my head, that I didn’t have to massage in certain registers or dynamics.  I could just THINK a musical gesture and then DO it, without compromise.  It was a fantastic feeling.

RIGHT IMMEDIATELY behind that awareness of my great reed came anxiety.  How terrible would it feel when I inevitably had to return to a lesser reed?  When this one died?  How could I ever make something THIS GOOD again?  WHAT IF my concert reed tonight was LESS GOOD, could I perform as well as I was doing right now? Should I put this amazing reed aside and SAVE it?  What if this moment is the peak reed moment of my life and everything else forever afterward is worse? 

This is a SCARCITY MINDSET!  

I recognized it right away because of all the mindset books I’ve been reading.  Letting myself feel tension about the GOOD REED that I was ENJOYING playing on and playing as well as I ever have?  That is ridiculous.  And so I stopped myself.  Identifying the thought made it go away.  I just enjoyed that reed for the whole rest of the rehearsal.  I relaxed into the goodness. 

Sometimes, the oboe IS easy, and the reed IS good, and there is no reason for me to ruin those times by thinking about the other ones.  

I can empower myself by remembering that I am fully equipped to deal with the rough times.  I make reeds well and fast, I adjust them as needed, and I know how to make things work in a suboptimal situation.  Reeds are an abundant and renewable resource.  I can have another one anytime.  

This is what it means to be Invincible.  

Sometimes, like this weekend, I also get Lucky, and that’s a thing to be grateful for. 

Comments

Popular posts from this blog

Zoe's Musical Beginnings

I've mentioned before that I started out on the piano by figuring out melodies.  Connecting notes and trying to learn how they worked.  I'm fascinated to observe that Zoe's initial approach to the instrument is totally different from mine. She sits at our new piano and plays random notes, and tells us what to feel.  If she is playing slowly then the music is sad, and we should cry. When we are "crying" she either gets up and hugs us so we feel better (so awesome!) or bangs faster, to indicate that the music is now happy and we should dance.  Her other piano game is accompanying herself - she plays "chords" in alternating hands while she "sings" the ABC song or Camptown Races or Sesame Street.  She makes us sing along.  She loves it when we clap at the end.  When I was little I wanted to know how music worked. Although I make my living as a performer now, I learned about the interpersonal aspects of music later.  Her immediate interest is in ...

Knife Sharpening

I've gotten a lot of questions on this topic, and the most recent querent prompted me to make a video to demonstrate.  You can find that  HERE . Knife sharpening seems to strike terror into many hearts.  And it's little wonder.  Many famous oboists have gone on record as saying that a sharp knife is the most important aspect of reed making. People have entire systems of stones and strops and rods set up to sharpen their knives. And it is important, of course it is - but I don't believe that you need your knife to be razor-like, or objectively the sharpest blade of any in your home.  The reed knife has one job - scraping cane off in precision ways - and it has to be sharp enough for that, and sharpened optimally for that purpose.  More than that is overly fussy for my taste. This is not to say that I allow my knife to be dull.  A dull knife forces you to put too much pressure on the reed and can cause cracking. Obviously it can lead to terribly inc...

Cleaning Your Reeds

Updated: I've posted a video of my plaque cleaning technique HERE ! Oboe reeds are made from organic material, and over time it is inevitable that they will age and change. The first few days of change are usually quite welcome, as you break the reed in by playing and the opening gradually settles down to something you can be comfortable with and the response becomes more and more predictable.  You might even hit a plateau where it appears to be perfectly consistent and reliable for several days! But after that, the reed seems to be on a constant gradually accelerating downslope, until it eventually collapses into a sharp, non-responsive, mushy mess. We can rejuvenate the reed during this time by cleaning it, and can often extend its life as well! There are three good ways to do this. First, least invasively, you can just run some fresh water through and over the reed AFTER you play each time.  Go ahead and rinse that reed in the sink, shake it as dry as possible, a...